Hey guys its Brian from World Music Supply, sorry for yet another rather lengthy hiatus from the blog, what with all of these new products flying in after NAMM, its difficult to find time to even breathe, let alone sit down and review a guitar or three, just not enough hours in the day. Well today I got a free minutes, so I used it to look at a couple of cool guitars by way of our friends over at Takamine. Over the past couple of years Takamine has been more or less consolidating some of their higher end models to try and get a better, more applicable guitar into the hands of some of today’s most demanding musicians.
First up on that list is the Takamine P1JC, which is part of their Pro Series 1 level of guitars. The Pro Series is divided into different levels, to help really hone in what a guitarist needs, so that each series can really be just about what the guitar plays and sounds like, rather than having to worry about having a guitar of every type of tone wood in every series, or having to worry about different inlay work for one specific guitar, or different brands of tuners etc. because each series level is outfitted the same, the only thing that changes is the body style.
I picked what I consider the quintessential model from the Pro Series 1 Level, the Jumbo. I love the way Takamine does Jumbos, especially when they use warmer sounding tone woods like Cedar and Sapele, which long time readers will know, I simply adore. So maybe I’m a little biased, but when it comes to guitars, aren’t we all? The Cedar top on the P1JC was stunning, with tons of super tight grain, and a gorgeous orange hue to it. The sapele back and sides were rather nicely figured, and since they are within the same general family as mahogany, it had a similar bold, yet warm sound.
Combined together, these two tone woods, and the jumbo body generate a plethora of amazing sounds. With gigantic low end, a driving powerful midrange, and crisp, pristine highs, the P1JC was really something to behold. Fingerstyle lines really popped, with clear definition, but still lots of body to even single notes. Strummed, this thing was a cannon, it was amazingly rich in harmonics and sustain, with all of the tone you have come to expect from Takamine, oh and did I mention it was loud!
Plugged in, the Palathetic pickup and the CT4B II preamp come together to recreate the sound of the acoustic guitar with flying colors, and more so, this guitar almost sounds better through an amplifier, as the already harmonically rich sound of the Jumbo Cedar top is further enriched by the natural harmonics inherent within the preamp tube. The sound was clean, pristine, and amazing. The guitar is a little more prone to feedback than I am used to, but with a top carved so eloquently to resonate like this one does, it can only be expected to respond to harmonic feedback just as well, so a sound hole cover is a must.
For the first guitar I got to review in over two weeks, this one was a genuine treat. The tones were jaw dropping, the looks were subdued yet handsome, and the playability of the whole ensemble was just to die for. The P1JC easily snags itself a solid 10 out of 10.
The other guitar I got my hands on today was the P2DC which is part of the Pro Series 2. The construction between the Pro Series 1 and 2 at first seemed rather minuscule, the Series 1 has a Cedar top, while the 2 has Spruce. Now while the differences are small, the sounds are worlds apart. While the Cedar has that familiar old world warmth, and charm, the Pro Series 2 with its Spruce top had something else, something new. I love Spruce topped guitars, I do have a personal bias towards Cedar, but my main guitar on and off stage for years was a cheap no name Spruce topped guitar that I have put through its paces for close to 10 years now, so I know how Spruce tends to sound, but this guitar, it was so much richer.
The sound was crystal clear, big huge low end, mid range that had a depth to it that ate up a ton of frequencies, but left more than enough room for my voice to live within, and enough high end presence to bring the guitars jangly side out to the fore front. This guitar had a classy, very round sound to it, that took fingerstyle amazingly, with tons of definition between notes, with a brilliant warmth and harmonic richness that you just don’t usually hear with many spruce topped guitars.
Plugged in, this guitar has a very crisp sound, thanks in part to the palathetic pickups unique construction technique, but also thanks to the CT4B II Preamp which enhanced the pure sound of the guitar, with its added harmonic richness. The sound was as close to the true sound of this guitar as I think you can get without a microphone, all of the highs and lows recreated perfectly, and the mids were as close to the real thing as possible. The guitar wasn’t as prone to feedback as the P1JC, but I think it had more to do with the actual size of the guitar this time around, as it is slightly smaller and thus less prone to feedback than the jumbo, but still with the volume up much past 5 or 6 I had to put a sound hole cover in.
The P2DC seems perfectly suited for any job you would usually leave to a dreadnaught, be that studio work, stage work, or song writing, the bold, beautiful voice of the P2DC is second to none in its class. It easily deserves its score of 10 out of 10.