WMS at NAMM 2016

Hey guy’s Brian here again with more promised info from NAMM, just covering some of the cool new stuff that we can expect to see in the year ahead from some of our friends. Let’s start off with Marshall, who came out swinging with their new Code amplifiers. They were designed as part of a collaboration between classic amp manufacturer Marshall and Next generation plug-in designers Softube as an “authentic modelling” of classic and contemporary Marshall tones via their new Marshall-Softube (MST) modelling, in addition to its banks and banks of high quality effects, CODE offers 14 preamps, four power amps and eight speaker cabinets. These include the JTM45 2245, 1962 Bluesbreaker, 1959SLP Plexi, JCM800 2203, JCM2555 Silver Jubilee, JCM2000 DSL100, JVM410H and more, while power amp voicings on offer are EL34, 5881, EL84 & 6L6 – there’s a selection of speaker cabs, too: 1960, 1960V, 1960AX, 1936V, 1912, 1974X and more. Also, just because I find it awesome, it’s also Bluetooth, so you can control certain aspects of it via your phone or tablet, send music to it, and even (so I’ve heard) control it via a Bluetooth foot controller!


Next let’s talk about Fender, now every year it seems like Fender is trying to top themselves in some way, and for the past few years that has been their custom shop offerings. This year they had a few that stood out to me, firstly is the Repeater Telecaster designed by Master Builder Yuriy Shishkov, that’s modeled after an 18th century watch

Fender Music Repeater Tele.jpg

And by far my favorite, because of my love for weird old esoteric Fender models, is the Katana, Fender’s shot at a hyper modern Metal guitar re-imagined by Custom Shop Master Builder Todd Krause.


oh and before I Forget it, we can’t forget the viral youtube sensation of CARDBOARD STRAT


So aside from their custom shop offerings what’ve we got to look forward to?


Yes folks, you see that right, Telemasters!
…or as their calling them “offset telecasters”somehwat-mad-completely-mad-u-mad-madad1

now for those out of the loop, Telemasters are sort of this cool parts guitar blue print that a lot of indie manufacturers and amateur builders have been busying themselves with for years now, and sure Fender made one or two in the past as trade show talk pieces, and for the most part they were more Esquier than Tele, but this is still super cool! to see such an interesting blend of vintage and modern pulled off with such style, I love it. Oh and what’s that on the other end of the display? Are those Jazzmasters with proper jazz tailpieces? Yup, bigsby equipped jazzmasters, imitating one of the most popular mods to their hard tail jazzmasters, and at the same time pulling it off with a style that only Fender could, no extra switches or knobs, just a black pickguard, simple, subdued single tone finishes, very stylish, love it.

Lastly for Fender is the new American Elite Series, which is replacing the long running Deluxe line. I liked them, from what I’m hearing on their youtube videos they sound fantastic, and the smaller touches like the sort of rubberized knobs are cool too, everything looks vintage enough but still very modern. The new color options are modern too, and yet still feel like Fender, with new satin bursts, and light blue to dark blue bursts, as well as the return of that lovely Camaro Orange color they call Autumn Blaze Metallic, I loved that color about 4 or 5ish years ago when that was one of their regular colors, just so unusual for a guitar, flashy and yet still sorta normal.


All and all I loved what Fender is up to this year, and I can’t wait to actually get my hands on some of it!

let’s take a deep dive into Charvel, who looks to be actually reissuing their pro mod San-Dimas and So-Cal series in some very exciting colors, clearly inspired by their 80’s aesthetic

These look awesome, so retro and cool! I’m just happy to see that Charvel is starting to move out of the cookie cutter metal guitar scene, or at the very least peppering some color in there.  I would love for them to reissue the Style 2, because I haven’t seen a super tele in years! That being said, Charvel is shaping up to have some rad new stuff coming out that is sure to impress even the most discerning of players


Lastly I want to talk about Washburn who had a TON of cool stuff going on at their booth this year, I wish I had more to say about it, but I feel like the pictures will speak for themselves, lets start with some new parallaxe models



To their new, rather Californian influenced, electrics


And of course let’s not forget their acoustics, with new rather affordable new designs coming to their heritage range, as well as their woodline series, both of which are shaping up to be just beautiful (really sorry I don’t have a picture of them from the showroom floor)

So there you have it guys, tons of cool new stuff coming this year in terms of gear, with lots to look forward too! and you bet as soon as I can get my hands on it, I’ll be reviewing it right here for you guys.




World Music Supply | Takamine Pro Series

Hey guys its Brian from World Music Supply, sorry for yet another rather lengthy hiatus from the blog, what with all of these new products flying in after NAMM, its difficult to find time to even breathe, let alone sit down and review a guitar or three, just not enough hours in the day.  Well today I got a free minutes, so I used it  to look at a couple of cool guitars by way of our friends over at Takamine. Over the past couple of years Takamine has been more or less consolidating some of their higher end models to try and get a better, more applicable guitar into the hands of some of today’s most demanding musicians.

Takamine P1JC PRO Series 1 Acoustic Electric Guitar

Takamine P1JC PRO Series 1 Acoustic Electric Guitar

First up on that list is the Takamine P1JC, which is part of their Pro Series 1 level of guitars. The Pro Series is divided into different levels, to help really hone in what a guitarist needs, so that each series can really be just about what the guitar plays and sounds like, rather than having to worry about having a guitar of every type of tone wood in every series, or having to worry about different inlay work for one specific guitar, or different brands of tuners etc. because each series level is outfitted the same, the only thing that changes is the body style.

I picked what I consider the quintessential model from the Pro Series 1 Level, the Jumbo. I love the way Takamine does Jumbos, especially when they use warmer sounding tone woods like Cedar and Sapele, which long time readers will know, I simply adore. So maybe I’m a little biased, but when it comes to guitars, aren’t we all? The Cedar top on the P1JC was stunning, with tons of super tight grain, and a gorgeous orange hue to it. The sapele back and sides were rather nicely figured, and since they are within the same general family as mahogany, it had a similar bold, yet warm sound.

Combined together, these two tone woods, and the jumbo body generate a plethora of amazing sounds. With gigantic low end, a driving powerful midrange, and crisp, pristine highs, the P1JC was really something to behold. Fingerstyle lines really popped, with clear definition, but still lots of body to even single notes. Strummed, this thing was a cannon, it was amazingly rich in harmonics and sustain, with all of the tone you have come to expect from Takamine, oh and did I mention it was loud!

Plugged in, the Palathetic pickup and the CT4B II preamp come together to recreate the sound of the acoustic guitar with flying colors, and more so, this guitar almost sounds better through an amplifier, as the already harmonically rich sound of the Jumbo Cedar top is further enriched by the natural harmonics inherent within the preamp tube. The sound was clean, pristine, and amazing. The guitar is a little more prone to feedback than I am used to, but with a top carved so eloquently to resonate like this one does, it can only be expected to respond to harmonic feedback just as well, so a sound hole cover is a must.

For the first guitar I got to review in over two weeks, this one was a genuine treat. The tones were jaw dropping, the looks were subdued yet handsome, and the playability of the whole ensemble was just to die for. The P1JC easily snags itself a solid 10 out of 10.

Takamine P2DC PRO Series 2 Acoustic Electric Guitar

Takamine P2DC PRO Series 2 Acoustic Electric Guitar

The other guitar I got my hands on today was the P2DC which is part of the Pro Series 2. The construction between the Pro Series 1 and 2 at first seemed rather minuscule, the Series 1 has a Cedar top, while the 2 has Spruce. Now while the differences are small, the sounds are worlds apart. While the Cedar has that familiar old world warmth, and charm, the Pro Series 2 with its Spruce top had something else, something new. I love Spruce topped guitars, I do have a personal bias towards Cedar, but my main guitar on and off stage for years was a cheap no name Spruce topped guitar that I have put through its paces for close to 10 years now, so I know how Spruce tends to sound, but this guitar, it was so much richer.

The sound was crystal clear, big huge low end, mid range that had a depth to it that ate up a ton of frequencies, but left more than enough room for my voice to live within, and enough high end presence to bring the guitars jangly side out to the fore front. This guitar had a classy, very round sound to it, that took fingerstyle amazingly, with tons of definition between notes, with a brilliant warmth and harmonic richness that you just don’t usually hear with many spruce topped guitars.

Plugged in, this guitar has a very crisp sound, thanks in part to the palathetic pickups unique construction technique, but also thanks to the CT4B II Preamp which enhanced the pure sound of the guitar, with its added harmonic richness. The sound was as close to the true sound of this guitar as I think you can get without a microphone, all of the highs and lows recreated perfectly, and the mids were as close to the real thing as possible. The guitar wasn’t as prone to feedback as the P1JC, but I think it had more to do with the actual size of the guitar this time around, as it is slightly smaller and thus less prone to feedback than the jumbo, but still with the volume up much past 5 or 6 I had to put a sound hole cover in.

The P2DC seems perfectly suited for any job you would usually leave to a dreadnaught, be that studio work, stage work, or song writing, the bold, beautiful voice of the P2DC is second to none in its class. It easily deserves its score of 10 out of 10.

World Music Supply | Takamine Guitars

Hey guys it’s Brian with World Music Supply again, here to bring you another dose of guitar and gear reviews. In today’s blog, I got to take a look at two great guitars from our friends over at Takamine. I always love Takamines, they make such consistently good guitars, that sometimes its easy to get caught up in the sound of one, and totally ignore how amazing they look, and how good their build quality is. Today however I got to play a few that just couldn’t be ignored, and the list begins with one of our best sellers right now, the EF340SCGN.

Takamine EF340SCGN Acoustic Electric Guitar

Takamine EF340SCGN Acoustic Electric Guitar

The very first thing you notice about this guitar, is that stunning vintage finished Cedar top, which is an almost caramel or cognac color and is down right beautiful. The workmanship is as close to perfect as I’ve ever seen, and the Nato back and sides are just as handsomely (although a little more subtlety) finished. The guitar also features a real bone nut, and real bone saddle to provide very clear, and resonant tones. Acoustically this guitar has a very vintage character to it, with lots of warm mid tones, sparkly high end, and a nice soft, almost jazzy low end. The neck is a very comfortable shape, and the Indian rosewood fingerboard is amazingly quick. Chords rung out with a distinctive boom, and single note lines had a very clear, defined character to them.

Amplified, this guitar was amazing. Acoustic guitar amplification has come leaps and bounds over the years, and the preamp technology always surprises me, how even with the same pickup, the guitars can sound miles apart based solely on their preamps. Sure, even low end instruments can have a pleasing character to them, but as you move up in quality, the quality of the sound changes dramatically. Sitting high atop the list of Takamines dozens of preamp designs is the Cool Tube series, which uses a small 12AU7 dual triode vacuum tube to help flesh out, and “warm up” the sound of the guitar.

The CT4BII pickup in the EF340SCGN is no different, and the second you hear this guitar, you understand just how important the cool tube is to the sound. The sound through a good acoustic guitar amp, or a good PA cabinet is just spectacular, with a sound that actually rivals the unamplified sound in beauty and clarity. The guitar was surprisingly resistant to feedback, and actually took quite a bit of volume to slide into that typical violent acoustic guitar feedback, and with a soundhole cover applied it took a ton of volume to switch into feedback mode. Tone wise the guitar has a lot like the actual acoustic tone, but with a bit fuller low end, and a slightly warmer sounding high end. Chords had a nice smooth character to them, with almost none of that usual piezo sizzle.

The sound of the EF340SCGN was amazing both amplified and unamplified, with tones that could cover anything you threw at it. For all of that, and its amazing looks, the EF340SCGN earns itself an easy 10 out of 10.

Takamine EF508K Noveau Series Acoustic Electric Guitar Koa

Takamine EF508K Noveau Series Acoustic Electric Guitar Koa

Next up is the Takamine EF508K which has the unusual appointment of having a Figured Koa top. I’ve seen Figured Koa as a back plate, and I’ve seen Figured Koa as sides on a guitar, but I’ve never seen it on a production guitar as a top wood. The reason its so rare as a top wood is because, first off its typically very expensive, as it is only grown in a few places around the world, and the cost tends to go up when it is as curly as the top on the EF508K. The sound of Koa is distinctive, with a lot of sparkly high end, some very warm mids, but not a whole ton of bass. This means it cuts through the mix very well, and helps to support the mix very well without overpowering it.

The feel of the NEXC body is nice, with its slightly smaller body, and a bit more even sound to the guitar, it really compliments all of the Koa in the guitar. Acoustically the EF508K has a pleasing, even sounding voice, with lots of note definition, and sustain. Chords ring out with almost piano like clarity, and they really do sustain for quite a while, far longer than almost any other acoustic I’ve had the pleasure to play thus far in my musical life. The only drawback is that Koa is hardwood, and as such is a slightly quieter wood, so the overall volume of the guitar is slightly quieter than say a spruce top guitar, although the fact it is an electric acoustic makes this point rather moot, as it can actually be as loud as your amplifier is.

The sound acoustically is remarkable, with tons of fantastic warmth and presence. The clarity of the guitar was also just dumbfounding, I was playing big jazz chords, full of 7ths and flat 5ths and there was never any overlay or woofy dissonance, just pure tone. The guitar was a tad bit quieter, athough no quieter than a smaller body size, like a mini jumbo or a parlor, and the guitar was still plenty loud enough to sing with as long as you aren’t really belting.

Amplified, this guitar is breathtaking, the definition and tone are just beyond anything I could have imagined. The sustain lasts far longer than a typical acoustic and the fact the top is made of a hardwood, the guitar is also very feedback resistant. Meaning I could play this guitar without a sound hole cover for quite some time, and at a pretty high volume without the body resonating to the speaker too much.

The EF508K was a downright magnificent guitar, with features well above your average acoustic. The figured Koa sounded like nothing else I had ever heard in an acoustic guitar, and the beauty of it was equally as profound. The EF508K easily earns itself a10 out of 10.

World Music Supply | Washburn 12 String Guitars

Hey guys, it’s Brian again from World Music Supply. Sorry for the super long break between posts, what with the holiday shopping season, a lot of snow, and few other distractions, its been a little difficult to get back into the typical routine. But luckily for us all, I’m back and ready to bring you some brand new gear and guitar reviews just in time for the new year!

Washburn WJ45S12 Jumbo Acoustic 12 String Guitar

Washburn WJ45S12 Jumbo Acoustic 12 String Guitar

On Today’s agenda, I get to take a look at some new Washburn 12 Strings that just came in. First up is the WJ45S12, which is a 12 String version of the already popular WJ45. This guitar features a Solid Sitka Spruce top, and flamed maple back and sides, which greatly compliment its giant Jumbo style body. The first thing you notice about this guitar is just how good it looks. With all of the Abalone, the gold tuners, and of course the stunning flame on the maple back and sides, this guitar just looks amazing.

But looks aside, this is still a player’s guitar, with tones that just cant be beat. Twelve strings are a strange beast, with all of those octaves, and intonation abnormalities creating strange chorus effects, with almost piano like overtones, its amazing when you really think about it. This all comes at a cost though, as the guitar requires greater reinforcements to cope with the greater stresses, and occasionally this can lead to 12 strings sounding a little lifeless, and less organic then their 6 string counterparts. When it comes to the WJ45S12, this is just not the case at all.

Washburn WJ45S12 Jumbo Acoustic 12 String Guitar

Washburn WJ45S12 Jumbo Acoustic 12 String Guitar

This guitar sounds gigantic! It intonates surprisingly well, and the solid Spruce top has a very broad sound to it, with tons of highs and mid definition, but also a lot of very powerful low end to it too. The neck is surprisingly comfortable too, which while it is wider to accommodate the added strings, it is still thin enough to play comfortable chords, and even single note parts if you’re really careful with your picking technique. Trying to play quick lines on a 12 string is always a tricky affair, as the extra weight of the strings tends to get in the way of the speed of a fretboard, but thanks to the WJ45’s flat action, and its comfortable fingerboard radius, it is not only possible, but its also relatively easy on this guitar.

At the end of the day, the WJ45S12 is a simply amazing 12 string, even more so when you see just how little you have to pay to get these kinds of tones, and its because of that bang for your buck kind of power, that this guitar scores an easy 10 out of 10.

Washburn WD30S12 12 String Acoustic Guitar

Washburn WD30S12 12 String Acoustic Guitar

Next up is the WD30S12 and its sibling, the WD30SCE12. First off, the WD30S12 is a 12 string variant of the standard WD30, which features the unusual appointment of Tamo Ash back and sides, now why Tamo Ash is so rarely used is beyond me, because it looks and sounds amazing. The sound that Tamo Ash lends to a guitar is similar to Flamed Maple, but with a subtler, I would almost say softer high end to it, which really helps to even out the typically bright sound of a 12 String.

This guitar, like the last one, features an Alaskan Sitka Spruce top which has an amazingly clear and robust voice to the WD30, with plenty of clarity between all twelve of the strings. The bone saddle helped to improve this clarity as it was intonated surprisingly well, with very few of the typical intonation issues that plague 12 Strings. The neck on this one also had the same surprisingly thin and comfortable feel to it that the WJ45S12 had, which meant both easy chording, and even single note lines.

Washburn WD30S12 12 String Acoustic Guitar

Washburn WD30S12 12 String Acoustic Guitar

Far and apart, this guitar brought something new to the world of 12 String production guitars, it had a nice quality to it that we rarely see from others. The look and feel of it was astounding, and the handsome Tamo Ash back and sides was a nice touch as well. For all of this and more, the WD30S12 earns itself a deserved 10 out of 10.

Washburn WD30SCE12 Acoustic Electric 12 String Guitar

Washburn WD30SCE12 Acoustic Electric 12 String Guitar

Finally in today’s blog, is the WD30SCE12, which is an electric cutaway version of the WD30S12 we just looked at. I’ve always loved the idea of cut away 12 Strings, just the idea that you could climb all the way up to the 20th fret and enjoy that strange, mild chorusing that you can only get from a 12 string, especially from the octave strings, which have a very strange, and interesting sound to them up on the higher frets.

To these expectations, the WD30SCE12 did not disappoint. The Fishman Presys preamp had that tasty Fishman piezo tone, with lots of boom and low end, some nice midrange presence, and that nice sizzling piezo high end that I’ve come to love over the years. The sound of it through a good acoustic amp, or a PA cabinet is pretty close to the actual sound of the instrument, which even without EQ adjustments would cut through a band mix just fine, although I guarantee that you will need a sound hole cover as this guitar is very resonate, and very lively in front of a speaker.

Washburn WD30SCE12 Acoustic Electric 12 String Guitar

Washburn WD30SCE12 Acoustic Electric 12 String Guitar

The sound of this guitar on the upper frets is fantastic, with plenty of sparkle and jangle to keep your playing interesting and creative. The ability to play fingerstyle on this guitar is unmatched, as the added note definition thanks to the Fishman electronics and that perfect neck profile really lends themselves to that style of play. With the added harmonic content of the octave and doubled strings, the sound was just amazing, with an almost piano like texture.

Sure 12 Strings might not be everyone’s idea of a good time, and there is a little bit more to worry about than your average acoustic, what with all of those extra strings to tune, and that octave G string is always an issue for those who play lots of 12 string. But the rewards are worth it. That big, jangly sound of a 12 String guitar is something worth having at least once on every album, and it’s more than worth owning one or two just to keep around for color. When it comes to that kind of color instruments, with lots of wonderful tones to be pulled from them, the WD30SCE12 is definitely pretty high up on the list. For an instrument that many consider a one trick pony, the WD30SCE12 is wonderfully versatile. From Fingerstyle to Folk, and from classic rock, to modern, the WD30SCE12 easily won its rating of 10 out of 10.

World Music Supply | Washburn Woodline Acoustics

Brian from World Music Supply here again, bringing you your usual dose of gear and guitar reviews, and today I got the chance to test out some more acoustics from our friends over at Washburn. The guitars in question are the WG026SCE, and the WD015SCE, these guitars are unique within the Washburn family in that they both feature unique super thin open pore, and open grain finishes. These thin finishes allow the guitars sound board to vibrate far more freely, as there is less weight and material across the soundboard holding it still. This means the guitars both sound livelier, and far more resonant than their gloss finished counterparts.

The Washburn WG026SCE Grand Auditorium Acoustic Electric Guitar

The Washburn WG026SCE Grand Auditorium Acoustic Electric Guitar

First up to bat in today’s review is the WG026SCE, which is part of Washburns woodline series, and is available in an electric acoustic cutaway (the version being tested today) as well as a non cutaway, and non electric non cutaway version. The combination of the solid cedar top, and the grand auditorium size are just perfect together, as they create a guitar without too much low end boominess, and just enough top end bite to help this guitar really sing out. The thin, open pore finish really does change the way this guitar sounds, which is something I honestly questioned before I actually got my hands on it. You hear claims about thinner finishes making guitars sound worlds better in almost every issue of almost any guitar magazine, and most of the time, it seems like a ton of hog wash, but in the case of this guitar, and likewise with the WD015SCE, I honestly believe it.

The reason I say that it usually seems like hogwash, is because it just seems like one of those magic guitarist things, you know the ones where a guitarist is asked how they get their magical tone and they lists everything from their hand ground titanium tremolo bar, to the tuning keys that were designed and built by some aerospace company in Switzerland. The honest to goodness fact is, that guitarist will probably have their “magical” tone plugged into almost any decent amp, with any decent guitar. Thin finishes on electric guitars do contribute a bit to the overall tone of the guitar, and they contribute to it aging in interesting ways, as the finish and the paint in certain areas will wear through much sooner than a guitar that is just coated in the stuff, but the over all tone of the guitar will still be there, just a little more muted. This thin approach does have a much more dramatic effect when it comes to acoustic guitars however, as suddenly the guitar just comes to life so to speak. Any satin finished acoustic I’ve ever played just had that big, worn in sound, like a guitar that had seen a hundred shows, with big bold bottom end, sweet singing highs, and a sustain that just rings and rings.

The action on this guitar was just fantastic, and playing quick lines on it was simple and comfortable, as the mahogany neck is smooth, easy to play, and not too big, but not too small. The WG026SCE sounds great plugged in too, as the Isys+ preamp translates the electric voice of this acoustic amazingly well, nearly perfectly replicating the natural voice of the instrument. Overall the WG026SCE is one amazing instrument, with a unique finish that helps it sonically stand out from the pack, that combined with its easy playing neck, and sweet electrified tone, earns this guitar a solid 10 out of 10.

The Washburn WD015SCE Dreadnought Acoustic Guitar

The Washburn WD015SCE Dreadnought Acoustic Guitar

Next up is the WD015SCE, which is a limited edition version of the WD15SCE. This guitar also features a unique thin finish, along with its open grain spruce top this guitar has a very distinct sound to it. The WD015SCE has a lot of booming low end, and a lot of crisp, bell like high end, with a tiny bit of glassy midrange kick that helps it project out through a band a little bit better. This guitar has a much different sound than the WD026SCE however, far different than a typical cedar guitar and spruce guitar usually differ, which I think is impart to the lack of heavy lacquer making them sound similar, as these two guitar are like night and day.

The neck is just as fast and sleek as the WD026SCE, with a similarly shaped, and as such similarly comfortable neck profile that is just not too thick, but not too thin to where you start losing tone either. This guitar is also amazingly loud, and resonant too, with far more sustain than any acoustic guitar should have. The sound is quite warm, with the perfect blend from high to low, which is enhanced more by the Fishman Isys+ electronics. The voice of this guitar through a good P.S system or acoustic guitar amp, is just spectacular, although the lack of weight or dampening finish on the sound board does make this guitar a little more susceptible to feedback than normal, although a sound hole cover solves this problem easily.

At the end of the day though, the WD015SCE is just amazing, with tones that are distinct, without being strange, and visuals that are conservative, without being boring. This all comes together to make one amazing guitar, that easily earns itself a 10 out of 10.

World Music Supply | Takamine Guitars

Hey guys, Brian with World Music Supply here again, to bring you your usual dose of guitar and gear reviews, and today I have a great set of acoustic starter packages from our friends at Takamine. as I’ve mentioned in the past,Takamine was founded in 1962 in Sakashita Japan, as a small family business crafting well made acoustic guitars. In all of the years since then, they have kept the tradition of building affordable good quality guitars alive.

More than all of that, the guitars I’m reviewing today are starter kits, meaning they are great first guitars, but more than that these are great guitars to hold on to, great guitars to keep around long after you’ve learned your craft. One of the best pieces of advice I give to people calling in to ask about buying their first guitar is, think about where you’ll be in five years? in ten years? and will this guitar still be what you want? will it still be relevant musically to you? When it comes to guitars like these, that answer is a resounding yes. Beautifully crafted guitars, with good grained spruce tops, and stunningly figured mahogany back and sides, all satin finished for maximum style and comfort. So without further ado, let’s move into the review of the first guitar in the round up.

The Takamine G320-NS

The Takamine G320-NS

First up is the G320-NS, which is a great sounding spruce and mahogany bodied Dreadnought. The Dreadnought is the typical acoustic guitar shape, having been more or less the standard guitar shape since its inception, when it became one of the biggest guitar shapes of the time, and soon became famous for its big, full bodied tones. The G320-NS carries on this illustrious tradition in stride, with its big full sound, and bright chimey top end. This guitar feels great right out of the box, as its satin finished body and neck make it both comfortable, and a super fast playing neck. Now the G320-NS is marketed in a kit, as a starter guitar, but as someone who has been playing guitar for quite some time now, I can solidly say that the G320-NS would be a great guitar for any collection, as it is loaded with tons of great tones, has a great feeling, and great playing neck, and on top of that, it’s a Takamine which means it’s made by one of the leading guitar manufacturers in the world.

This is by and large the most common style of guitar to learn on, as the Dreadnoughts body isn’t too big, or too small, and more comfortable to get accustomed to, than say a flying V. Not only that, the Dreadnought is by and large the most commonly played, and most commonly recorded guitar style, as almost every artist has recorded at least one or two songs with a Dreadnought. When it comes to learning to play guitar, nothing beats lessons, but these can tend to be expensive, and sometimes not as effective as the student would like, which is why Takamine has included an instruction book that includes a  DVD, CD combo pack full of hands on, lesson material to get you started off on a good note. The kit also comes with a deluxe padded gig bag for the guitar, an electric tuner, and a set of picks. For its ability to get any guitarist started off right, and to just be a great playing guitar to add to your collection the G320-NS gets a solid 10 out of 10.

The Takamine G220-NS

The Takamine G220-NS

Next up is the G220-NS which is another great guitar starter kit, but instead of a Dreadnought, the G220-NS is one of Takamines signature shapes called a NEX, which is like a mini jumbo but with smaller shoulders. What this means is the G220-NS has a very even, and overall homogenous voice. So you have a guitar that sounds just as bold at the 12th fret as you do at the 1st. The NEX is also a very focused sounding guitar shape, with bass that is tight and punchy, and a high end that is snappy without being too sharp.

The G220-NS would also be a great candidate for a first guitar, or just another guitar to add to your collection, as the NEX body shape is a little bit different than your average acoustic, it does have a rather distinct voice that is favored by everyone from jazz guitarists, to country players, to even singer songwriters. The clean and focused tone  of the G220-NS makes for a versatile guitar, while never being overbearing or dense sounding, and just like the G320-NS, this guitar comes with an instructional book with a  DVD CD combo pack, a gig bag, a tuner, and a set of picks.

So even if you’ve played a few other guitars, and you’re just looking for something different, or this is your first guitar and you want to stand out from the crowd a bit. The G220-NS with its cool NEX body shape might be right up your alley, with its smooth, warm tones, and its super fast neck, the G220-NS easily snags itself a 10 out of 10.