Hey guys it’s Brian from World Music Supply here again, supplying you with your usual dose of gear and guitar reviews. Now I believe I’ve mentioned that as much as I can, I am going to try and keep this week as Halloween themed as possible, and that means supplying you with the most dark and brutal equipment I can find, and today that includes a few amplifiers from our friends over at Bugera. These amplifers all feature their Infinium technology, which regulates and closely monitors the tubes, and even rebiasing them as necessary, allowing them to last at full potential much longer than normal. This means that over the life of the amp, you will spend substantially less on replacing tubes, as you will no longer have to spend huge sums of money on whole matched sets of tubes.
The First amp in today’s review is the Bugera 333XL which is a massivly high gain, high wattage amplifier designed to let you play loud and proud. The 333XL is a hand built 120 watt monster, driven by four EL34 tubes, which can be switched out for 6L6s for a totally different tone, and the preamp is powered by four 12AX7s. Bugera integrated a high class digital reverb, which is a little cleaner, and clearer than a more typical spring reverb, which tend to get rather muddy when it comes to high gain tones.
Clean, this reverb added a ton of depth and body to my guitar tone, the feeling of having a small hall style reverb, as opposed to a spring does a lot to boost the quality of your sound, giving you studio style sounds in a live setting. The amp was sweet and clear, and all of my notes sang out with a clean, singing voice, never muddying up, no matter how much I messed with the EQ. Switching over to the Crunch channel, I was greeted with classic, AC/DC style bark. The classic rock vibe was nice, and comping 70s rock rhythms with it was no problem. Flicking on the XL switch, which is a low mid boost, the sound suddenly was chunckier, and could almost pull off some early Metallica style tones as well.
Finally switching over to the Lead channel, I was greeted with gigantic, over the top roaring distortion, with overtones and harmonics galore. I was clearly in modern metal territory, and the addition of a built in noise gate really was a great idea, as it really does clean up the over the top roaring hiss that you tend to get from a setting like this. The distortion is more than enough to do anything from modern rock, to full on shred metal, so there is plenty or room to move around with a sound like this. The XL switch on the Lead setting would be an ideal tone for anyone who spends most of their time in a dropped tuning, as it really keeps your sound tight, and heavy. Overall the Bugera 333XL is a beast of a machine, and easily deserves its 10 out of 10 rating.
Next up is something I really wish I could be more discriptive about, but sadly due to some production restraints, they haven’t exactly came in just yet, and that would be the Bugera TriRec. I was able to briefly scope out, and listen to the TriRec at NAMM and was blown away by its sound, and power. A few features stuck out to me, and because I know so many of you have already preordered it, and are waiting patiently to get your very own, I figured I would give you my opinions on it, to help satiate your want for this high gain beast.
The name TriRec comes from its three fully independent channels, as well as its switchable silicon diode rectifier, and tube rectifiers, which allows it to have everything from roaring modern rock tones, hyper overdriven metal tones, to soaring almost synth like lead tones. It also features what Bugera has termed the varipower switch, which is a type of attenuator, that you can dial down, rather than use fixed power points, which was a really cool feature as it acted as a sort of mega-volume knob.
The few moments I was able to actually to hear it clean, as a majority of the time getting to hear the amp was spent with them amp on a much higher gain setting, the clean sounded rich and pure, with a slight bit of that tangy solid state character you sometimes get from hybrid style amps. The overdrive setting, was big and beefy, with a sort of woofing quality to it, almost reminiscent of the XL boost on the 333XL. The lead sounds though; those were heavy as possible, just raw, metal heaviness. Chugging drop tune chords, and searing, vocal like lead tones, this amp really is going to be killer. Sadly it still might be a little while before the TriRec actually hits our warehouse shelves and I get to do a proper test for all of you. However, I will go ahead and say that the tone of this monster easily deserves a 10 out of 10, Now to sit and wait for a chance to actually play it for myself.