World Music Supply | DBZ Guitars

Hey guys, I know its been a long, long time, but Brian of the World Music Supply blog has made his return! I was finally able to move around things in my schedule to yet again reasonably accommodate the blog, so lets get down to business. I am here to today to talk about some awesome guitars we have right now from our good friends over at DBZ. We here at World Music Supply love DBZ Guitars. Its as simple as that. They are high quality guitars, made with high quality parts, with precision workmanship, what’s not to like?
DBZ BARFMPL-FR-NS Barchetta FM Plus Series Electric Guitar

First up on the block today are the Barchetta Plus FM Series, these guys are amazing. I’ve been a big fan of the Barchetta body style since I first saw them a year or so back, their sleek strat style body, with its futuristic carved top body, and the classic vibe of the 3×3 headstock. It all adds up to a very stunning looking guitar. Back in those days though, the only versions of this guitar that I had ever laid eyes on were red, black and gray. Don’t get me wrong, those guitars were beautiful, and they played like a dream, but these guitars though, with their abalone binding, deep flamed maple tops, and matching headstock, they’re just a whole other level.

now of course they still have all of the same appointments as their non flamed maple counterparts, the DBZ signature neck contour, the floyd rose, the DBZ signature pickups with a push pull knob, and that big metal badge on the headstock, all of it puts this guitar some where between a workhorse of a guitar, and a luxury art piece. Form and functionality in harmony.

DBZ BARFM-FR-TBK Barchetta FM Flamed Maple Top Electric Guitar

DBZ BARFM-FR-TBK Barchetta FM Flamed Maple Top Electric Guitar

Amplified, the flamed maple adds a tiny bit to the guitars overall tone, but the big difference in tone seems to come from the mahogany, as opposed to the alder bodies of the LT series I am so familiar with. The tone seemed to be a little thicker, with a much heavier lower midrange bark. Alder had a balanced and almost focused sound, but this guitar paired with its mahogany body and stunning flamed maple top, well… it really growls at you. Chording on it felt nice and smooth, with enough presence to make sure I was heard over even the most over the top of drummers, and single note lines had a ferocity to them, an attitude almost. Someone could make a career off of this guitar, carry it with them from day one, be the symbol their recognized for. That’s the kind of guitar this is, it’s a guitar that will leave an impression.

DBZ BARFMPL-FR-SF Barchetta FM Plus Series Electric Guitar

DBZ BARFMPL-FR-SF Barchetta FM Plus Series Electric Guitar

Overall score, easy 10 out of 10

Long time readers of the WMS Blog will know that when it comes to guitars I have two real weaknesses, Telecasters, and White Lespauls. I really don’t know why its these two guitar styles, but they’re really powerful to me. So when the DBZ Bolero Calavera made its way into the WMS offices I had to look at the thing. Just stare at it. Its just so flashy, with its stylized metal truss rod cover, the old DBZ signature tailpiece, and oh yea, the giant metal tramp stamp (that’s what they call it, not me) that’s anchored to the lower bout of the guitar.

DBZ BOLCAL-WH Bolero Calavera Series Single Cutaway Electric Guitar

DBZ BOLCAL-WH Bolero Calavera Series Single Cutaway Electric Guitar

Other than the unusual appointments at either end of the guitar, this is a fairly typical Bolero. Mahogany body, maple top, ebonized rosewood fretboard with 22 frets and their DBZB and DBZ5 Pickups. Their also given some cool Pearloid purfling around the body as well, which really makes this guitar stand out. It might feel like a normal Bolero, but when I was playing it felt so different, it was almost like the sheer attitude of the guitar, made it another guitar. Like when you listen to some really old classic rock, you know the guitarists really aren’t that good, but you can’t quit listening. Even though their entire education must have come from one or at the most two mel bay guitar method books, you’re just captured by that sheer attitude that is exuded from their guitar.

That’s how this guitar felt, I knew it sounded almost the same as the bolero, maybe a tiny, tiny bit different because of the chunks of metal on the guitar, but this guitar just made me want to play different. It made me really slam into the guitar, dig in with my pick. I was all power chords and grit, sure the clean sound is cool and jazzy, and the single note lines are fat and clear, but look at this thing, your likely never going to play a clean line on this guitar, and sure you might play a solo here and there, but most of the work on a guitar like this is going to be very power chord heavy.

I loved this guitar, if not for the fact that it is a fantastic guitar just like the standard Bolero, but also because of its really heavy attitude. It made me play different, act different, it made me really want to crank up my amp, make my neighbors angry. That’s what this guitar felt like, it felt like what we all thought Rock & Roll was when we were little kids.

Overall score 9 out of 10. Because even though it is almost perfect, it is for a certain kind of guitarist, and that isn’t everyone.

World Music Supply | Washburn Electrics

Hey guys, Brian with World Music Supply here to bring you some much needed guitar and gear reviews for the weekend. This Saturday I got the chance to review two guitars that just came into the warehouse from our friends over at Washburn. One of the things we love about Washburn, is they cater to every price bracket, and every genre of guitarist, from Metal to country, from acoustics for singer songwriters to jazz cats with their arch top hollow bodies. Today I get to sample some of these instruments, one that is universal, one that is a little less…traditional. First up, let’s start off with that more universal guitar, the Washburn WINSTDWH.

The Washburn WINSTDWH Idol WIN Standard Series Electric Guitar

The Washburn WINSTDWH Idol WIN Standard Series Electric Guitar

I used the term “universal” for a reason, the single cutaway, mahogany body with maple top, and two humbuckers is a real universal combination. Worn on stages around the world by everyone from metal guitarists, who love the huge sound of the two hot humbuckers, to country guitarists who like its more conservative look, and its bright twangy tones, this guitar really has a universally loved design, and an equally loved sound. I picked the white finish, as I personally just love white Les Paul style guitars; call it a hold over from my teenage years of idolizing Randy Rhoads. The WINSTDWH comes pretty well armed when it comes to everything from tonewoods to it’s Duncan USM Alnico 5 pickups, and over all they make this guitar sound just amazing.

Running clean this guitar has a bright and strident tone, with lots of girth and body. The neck feels super comfortable, with plenty of body to it, so it didn’t feel super modern, but thin enough that you can still play fast without too much extra effort. The bridge pickup was a tad bright, with a warm vintage character. The neck humbucker is warm and fat sounding, without sounding muddy or bass heavy. The different control layout of the volume and tone controls makes doing pinky volume swells far easier than with the typical volume and tone layout, which is something I have had a problem with for years.

Running into a dirty amp, this guitar sounds massive! The sustain is fantastic thanks to its proven tone woods and set neck design, and the Alnico 5 pickups are hot, with a searing quality to them that is just delightful. I was able to coax everything out of this guitar, from classic 70’s style blues rock, to down tuned metal, to good old rock and roll grind. The sound is distinct, but familiar, with a sound that is both old and new. That’s what I love about this style of guitar, every generation has re-invented it, taken it in a new direction, and made it their own. You can play rock on it, metal, country, heck even jazz, this guy really does everything! You just cant go wrong with this guy, and that’s why the WINSTDWH earns itself a solid 10 out of 10.

The Washburn PS7000-HBK PAUL STANLEY Electric Guitar

The Washburn PS7000-HBK PAUL STANLEY Electric Guitar

Next up, is the Paul Stanley PS7000 series, and in today’s review specifically, the PS7000HBK. I labeled this guitar as untraditional earlier in the blog, and there is a definite reason why. From its weird drooping lower cutaway, its upper bout that looks far different than most, and its over all asymmetrical design, the PS7000 might look like a typical les paul from far away, up close it looks like one, but only in the surrealist sense of the word.  

As weird as this guitar might look, it sounds down right awesome. The clean tones are deep and rich, with perfect intonation all across the neck thanks to the inclusion of the Buzz Feiten tuning system. The action was smooth and clean, and try as I might I couldn’t find any lick that didn’t sound awesome on this guitar. All of the KISS songs I know also sounded just perfect on this guitar, as the tone was clearly designed from the ground up to compliment them.

Dirty, this guitar was a treat. The warm characteristic it leant to the overdriven amp was just to die for, it felt vintage, but it looks like it came from outer space. The sustain was tremendous, lasting on and on with a warm vocal quality. Overall this guitar is a great addition to the growing Paul Stanley family of Washburn guitars, and a great LP style guitar for anyone who wants one, but doesn’t want to look like everyone else. For its unusual looks, and super powered sounds, the PS7000HBK scores itself a solid 10 out of 10.

World Music Supply | Jay Turser 220 Serpent in Tiger Eye Finish

Hi everybody, it’s Brian from World Music Supply here again, and I have something awesome to talk about today. The awesome item in question is the Jay Turser 220Serpent Tiger Eye , this guitar is just stunning, with a top of gorgeous AA Flamed Maple, and a body of delightful looking figured mahogany. The Serpent comes stock with gold hardware, two equally gold vintage voiced humbuckers, a Graphtech nut, and all of it is binded with beautiful abalone all along the body and the headstock, but what really sets this guitar apart is the inlay work.

Jay Turser JT-220SERPENT-TE

Jay Turser JT-220SERPENT-TE

All along the rosewood fretboard, is an intricately inlayed abalone and mother of pearl scene of a Chinese dragon flying through clouds, with a yellow sun offset in the distance. I have never seen inlay work like this on a guitar that didn’t cost atleast a few grand, let alone on a guitar in this price range, this is just unheard of.  When these guitars first came in, I remember looking at them one by one, and seeing how all of the flames were just slightly different, some more pronounced with rather wide stripes, some far more “tiger” like with many dark and light stripes all running together beautifully. These guitars are all in a word unique gems, all with their own beautifully unique qualities, from the figuring of the mahogany back, the style of the tiger striping on the top, all of it is unique to the pieces of woods that were chosen for each individual guitar.

Plugging in to what is rapidly growing to be my favorite amp, the Randall RT503H, the Jay Turser showed its true colors. The clean tones had a nice vintage warmth to them, with clean tones that evoke an almost acoustic quality. The bridge tone is bright, but balanced enough that chording on it is never harsh or “quaky”. The neck humbucker had a nice jazzy tone, with a big body and when playing jazz lines, it had that nice ethereal dark quality that made octave runs just a delight to play. Turning up the gain stage on channel one, I got to that classic AC/DC level of gain, which this guitar quickly transformed into some amazing vintage tone. Sounding somewhere between Jimmy page, and Peter Frampton, this stage of the amp and this guitar worked perfectly. The medium jumbo frets are perfectly smooth, and playing lightning fast runs on this neck is easy as butter, even with the gorgeous fretboard inlay, you never lose your place thanks to the side markers, and amazingly, the inlays beauty is only slightly distracting while playing, only once making me want to quit playing so I could stare at the way the light refracted through the abalone Dragon.

Jay Turser JT-220SERPENT-TE

Jay Turser JT-220SERPENT-TE

Cranking the amp up however revealed a very modern sounding side to this guitar, with body and boldness that made the “vintage” title of the humbuckers a little misleading, I was able to play drop tuned riffs for close to an hour, never once thinking the guitar sounded odd, or out of line playing any of the more modern metal style material I threw at it. This guitar really is a machine, with even the highest of high notes cutting through with a body that was really amazing.

At the end of the day, this guitar has surprised me more than any other guitar I have played since this blog began. Sure it might not be the best at everything, its not going to find favor with super shredders, or more conservative guitarists who have a problem with delightful works of art occupying their fretboard, but this guitar has a tone that is really stunning, never sounding thin, or overly dark, always a perfect balance of modern and vintage tones waiting under my finger tips. As for the “serpent” artwork, with the abalone dragon flying across your fretboard, you are going to get noticed, I wasn’t lucky enough to get to take this guitar on stage with me, but I imagine that the reaction from a crowd to having a dragon flying across your guitar would be a good one. For all of these factors, the Jay Turser Tiger Eye Serpent scores a well deserved 10 out of 10.

Jay Turser JT-220SERPENT-TE

Jay Turser JT-220SERPENT-TE

World Music Supply | The Digitech iStomp

Hey guys, it’s Brian from World Music Supply here again, and today I want to talk to you guys about a really innovative new pedal from Digitech called the iStomp. The iStomp is a pedal that allows its entire effect framework to be swapped out via any iOS 4 or later device running the DigiTech® Stomp Shop™ App.

The Digitech iStomp

The Digitech iStomp

Digitech has already done something similar to this with their IPB10 pedalboard, which used the iPad as the guts of a whole multi-effect board. Now the idea behind the IPB10 is amazing, have all of the flexibility of a normal pedal board but all you have to deal with is your iPad. However this faced a few issues, mainly, many guitarists are sort of stuck in their way as far as their “tones” go, and as such they just dont like the idea of giving up their favorite ten or fifteen year old pedals for digital recreations of them on a touch screen.

The Digitech iStomp

The Digitech iStomp

       This is why pedals like the iStomp are invaluable for guitarists. You get all of the flexibility of a limitless number of pedals under your feet, but it only takes up as much room as a normal stomp box. This means that you can add a few new tonal colors into your chain without having to forgo your old favorites just to save space. The iStomp even comes preloaded with Digitechs infamous Redline Distortion from their RP series of multi effects, as well as the Total Recall delay available for free from the DigiTech® Stomp Shop™ App right from the get go.

The Digitech iStomp

The Digitech iStomp

       The most logical thing I could think to do was swap out certain pedals in my pedal chain with the iStomp and see how it functioned in their place, for example, taking out my main distortion pedal and swapping it  with the iStomp, or taking out my delay and using the iStomp in its place. This approach worked well, as the included Redline pedal has a great full sound, with plenty of ZZ top style swagger, and it cleaned up nicely with your volume knob, it actually sounded better then my road worn distortion box I’ve had for years now. The other available models sounded great too, with models of many famous pedals, like a Tube Screamer, a Dunlop style fuzz face, and of course Digitechs classic Deathmetal distortion. They all had a fresh feeling to them that always sounded spot on to what you hoped it would sound like. There were no digital artifacts or fake sounding cheapo models like you find on some lower priced multi-effect units.

       Testing it as a Delay pedal was equally satisfying, as there are more then enough pedals available to fill in the role of my little old bucket brigade delay pedal. With plenty of digital sounding delays for a nice bright repeat, and plenty of analog sounding delays that quickly became personal favorites. My favorite was not the Total Recall as I had hoped, as its repeats are just too “true” sounding to me, as you let the delay signal get longer and longer, you end up with what sounds like five hundred guitars, as opposed to one guitar with a long delay. My favorite delay actually ended up being the vintage tape delay, which had all of the nice warmth that analog delays tend to have. As well the Tape delay had a nice slightly overdriven tone, which was one of the things that was so iconic of early tape based delay devices.

The Digitech iStomp

The Digitech iStomp

       I tried out some of the more out there effects of the iStomp like the rotating speaker effect called the “Rotator”, a cool flanger called the “flanger affair”, the “sound-off” which acts like your toggle switch so you can do all kinds of Tom Morello style stuttering, and lastly the Octaver, all of which did their job splendidly. I was able to have a pedal board that was both expansive, and at the same time, familiar, which is a really cool feeling when you get right down to it. As it turns out what the iStomp really seems to be, is a trimmed down version of Digitechs much larger IPB10 interface, redesigned to work more as part of your signal chain, rather then the whole of your signal chain. The result is actually quite impressive, and really a lot cheaper then you would think as many of the pedals cost as little as 99 cents in the app store, so really you get a few dozen pedals for what one decent multi effect board would cost you, with all of the flexibility, and none of the fat.

       At the end of the day, the iStomp does its job, each of the individual sounds are powerful enough to stand on their own, even without the added gimmick of it being a multi-effect pedal with sounds downloaded from their app store, as many of the sounds are worth atleast the price tag of the app and the iStomp pedal. For its ability to do everything, and still occupy as little space as a Boss overdrive, the iStomp gets a solid 10 out of 10.

World Music Supply | Randall Amplifers

Hey everybody, it’s Brian with World Music Supply, and today I’m here to talk about the Randall RT503H and the Randall RT412CX. The Randall RT503H is an all tube, 50 Watt, three channel amplifier that is by and large one of the best amplifiers we offer in this price range.  The three channels are arranged how you would expect, from clean, to overdrive one, and the ultra saturated overdrive two. It also comes with a series effects loop, a real spring reverb tank, and a three button footswitch. I paired the RT503H with its matching RT412CX cabinet, and my humbucker equipped Tele, and sat down to figure out what makes this amp tick.

The Randall RT503H

The Randall RT503H

Before we step into the actual tones within this amplifier, I want to point out just how handsome this amplifier actually looks. It features a large steel grill covering the main components, and a brushed steel face plate. The most unique thing about the amp however, is easily its cool blue LEDs that glow when the amp is running.  Now that we have taken a brief look at how the amp looks, lets move onto the important part, how it sounds.

Channel one is the clean channel, and it features exactly what you would expect, clean guitar tone which sounded warm, and a tad dark. I liked how the RT503H filled out my sound, never did it seem like the clean channel was too “dry” so to speak. I never was left feeling like just because I was on a clean setting that my tone was lacking something. The clean setting also takes pedals rather well, and it has a wide range from clean to gritty, so you can have a little volume fluctuation without worrying about your sound distorting if that is a concern you might have. 

The darker character of the RT503H made it fantastic for warming up a sound, for example all of my country style tele licks came out with more body than usual, and when I ran through some blues progressions it was far bolder than usual. Rolling off my guitars tone knob, the darker tones of the amp gave jazz licks that big round tone that is surprisingly hard to achieve. The cleanest of cleans are simple, and surprisingly musical on this amp.

Ramping up to the higher volume and higher gain settings on the clean channel, I was awarded some nice classic rock style distortion. There was plenty of swampy sounding C.C.R style swamp and AC/DC style crunch inside this channel, almost enough that the name “clean” seems misplaced. Once I had a nice 70s style tone dialed in, I was able to just use my volume knob to go from cleanest of cleans, to a nice big overdrive. I love the versatility of this channel, and with it being so accepting of pedals, using overdrives and distortions make it so much cooler.

However, using overdrives and distortions would be misplaced, as this amp still has two whole channels left to cover. Next up, is overdrive one. My favorite part of this amp is that the gain is linear across the channels, the peak of channel 1 is the bottom of channel 2 and the peak of channel 2 is the bottom of channel 3. so overdrive one starts out on that big, full 70’s style overdrive that I loved from channel one. From there it slides all the way up to a very modern sounding bark, the kind of tone you would associate with late 90’s style alternative rock.

The Randall RT412CX

The Randall RT412CX

I liked the idea of getting to revisit some of the songs I had learned in my earlier days as a guitarist, with a tone that actually suited them for once. So dropping my tuning a whole step to help compensate, I found a plethora of dark, booming metal riffs. The gain was high, but it never got fizzy or annoying, and it wasn’t so over the top that I needed a gate or anything. The dark character of the amp was useful and musical again, as playing power chords sound so much more ominous when they are played through an amp like this, and high shred lines have so much more body than usual. The spring reverb also helped, as having it on a lower setting gave my notes just that little extra magic to keep even long sustained notes sounding interesting.

While I’m almost certain that the Overdrive one channel has more than enough gain for everyone, or almost everyone, the RT503H goes a step further. So I cranked the gain knob on channel three, and hit the footswitch to switch up. I was immediately greeted with a wall of screaming harmonics, as my guitar was overpowered by the blast of sound from the amp. This channel seemed like it would need a gate at the higher end of the spectrum, so I rolled the gain back a bit, to about halfway. Still over the top, the High gain power of the Overdrive two channel is enough to make the Overdrive one look miniscule in comparison. 

I went out and grabbed a Boss NS2, and bit the bullet, cranking the gain on channel three to the very brink. I got the most over the top lead sounds, just fiery, blooming tones. This would be a great channel to use if you played in a very modern metal band, in the style of periphery or the like. Dropped tunings felt fantastic on this channel, and switching to a seven string, I was blown away at how this channel performed with all that was thrown at it. Never once did it get muddy, or transform higher notes into synth-y sounding sine waves, as many amps do at the highest of high gain settings.

The Randall RT503H

The Randall RT503H

Overall the RT503H is an overall outstanding amplifier, with more than enough power on tap for any player, in any genre, from country to jazz, and from rock to even the most brutal of metal. The RT503H has more than enough power to do it all, which is why the RT503H easily receives a 10 out of 10.

The Randall RT412CX

The Randall RT412CX

However, while the amp is amazing on its own, it can’t be said how valuable the RT412CX is to the tone of this amp. Designed by Randall to be the perfect match to the RT series of amplifiers, with its four vintage voiced Celestion G12M 25W speakers, and its ¾ birch plywood cabinet with a sealed back, this cabinet really adds a lot of power and punch to any amplifier. It features a very modern look with its all black steel grill cover, and its black tolex covering, a fitting addition to the equally modern looking RT503H. While this is a great cabinet when used with any amplifier, when paired with the RT503H, they are a virtual dream team of tone. Which is why the RT412CX also receives a well deserved 10 out of 10.

I have to say that I loved getting to test out this amp and cabinet combo, and they are easily some of the best products available at such a low price right now on the market. If I were you, I would head over to Worldmusicsupply.com and get yourself one of these monstrous amplifiers now, before they’re all gone, and at this price that won’t be long.

World Music Supply | DBZ Guitars

Hey everybody, it’s Brian here with World Music Supply, and I’m here to talk to you about some of the cool new stuff that we’re getting here at WMS. Today, I want to talk a little more about DBZ Guitars. As I’ve mentioned before, DBZ is the brain child of Dean B. Zelinsky, who parted ways with Dean Guitars in mid 2008. In order to give Mr. Zelinsky “personal control over design, direction and quality” he started DBZ guitars shortly after his parting ways with his former company. Since then he has been crafting a lot of sleek, beautiful guitars, a few of which I’m going to discuss in today’s blog.

The DBZ Bolero

The DBZ Bolero

First up is the Bolero, a tasteful new take on the classic LP single cut design. This guitar is just different enough to feel interesting and just familiar enough as to not be off putting, it features the iconic mahogany body with a maple top, and a comfortable soft V neck profile on its mahogany neck. It features the DBZB/DBZ5 that I reviewed so favorably on the barchettas a few posts back, and they don’t disappoint here either. They have the right mix of bright and dark from the bridge pickup to the neck pickup so you never run out of useful tones in this guitar, and with the inclusion of a coil split, you also have some decent strat and tele esc tones hidden away in this guitar too. With its more iconic wood combination, of a maple and mahogany body, and a mahogany neck, this guitar tends to sound a little warmer than the Barchetta LT, and a little rounder the fire breathing monsters in the bare bones line. Overall this is a nice choice for the guitarist who wants to have an LP style guitar, but doesn’t want to look like everyone else, with so many powerful tones, and such handsome looks, I give the Bolero a 10 out of 10 easy.

The DBZ Imperial in Cherry Sunburst

The DBZ Imperial in Cherry Sunburst

Next up on the chopping block is the Imperial line, a guitar that I am outright amazed by. It’s a relatively standard looking jazz guitar shape, like a semi hollow body, but without the hollow part, what amazes me is that the Imperial has such a thin body, and when I say thin I mean 5/8 of an inch at the edge thick, that is THIN. 

The DBZ Imperial

The DBZ Imperial

The body curves out a bit more in the middle, but by and large, this guitar is so thin, when you wear an Imperial, it almost doesn’t feel like it’s there, which is an interesting, and comfortable feeling. This guitar sounds a lot snappier than the Bolero thanks to this thinner body, it’s somewhere between a jazz box, and a telecaster, as it has a little bit more of a twangy edge when played clean and a little more presence in the mix when played distorted, but it also has that warm round bottom end that is reminiscent of big body jazz guitars. With the inclusion of the coil splitter this guitar can do basically anything, from twangy country licks, big bodied rock rhythms, and if you drop the tuning a little, it can even grind out some serious metal. The neck is the same as the Bolero, that soft V that fits your hand like a glove, making playing very long sessions so much more comfortable. For its plethora of awesome tones, and its unique razor thin body, the Imperial easily snags a 10 out of 10.

The DBZ Cavallo

The DBZ Cavallo

Then we have the Cavallo, which is a classic V style guitar, with the slight exception of having a heavily sculpted maple top. This carving seemed strange at first, but once you start playing it, you realize that it is thinned only around the controls, and where your arm would naturally either swing when playing standing up, or where your arm would rest when sitting down. The Cavallo is oddly comfortable, and the sounds are just as pleasing. The Cavallo has the same pickup combo as the rest of the guitars thus far in the review. Its tones are a little bit bolder than the Imperial, but not as defined as the Bolero, playing it through a little tube amp, the Cavallo gave me everything from bone dry clean tones, dirty AC/DC style drive, all the way to big hair metal style grind. All in all I like the Cavallo, and as far as V’s go, this one is easily in my top 3. I give the Cavallo a 9 out of 10, only because those carves in the top might be a little off putting to people who like a more traditional V.

The Floyd Rose Equipped DBZ Cavallo

The Floyd Rose Equipped DBZ Cavallo

However, stepping a little more away from the traditional V mold we do have a variant of the Cavallo which sports a locking floyd rose, a welcome change of pace. Now I was able to do light fluttery warbles in the clean setting, Van Halen style dive bombs when I had the amp dimed, and when I used some real distortion I got everything from Dimebag style squeals to Joe Satriani style screaming harmonics. Adding the agility that a floyd affords you to an already amazingly versatile guitar takes it from a 9 out of 10 to a solid 10 out of 10, who would have thought such a little change would bring out so much more potential in this guitar

The DBZ Venom

The DBZ Venom

Lastly in the line up is something way out of the traditional, but what we all honestly expected from DBZ guitars, a solid down to earth metal guitar. The Venom is a V style guitar that more closely resembles a battle axe than it does the 1950s era styling of its cousins. Along with the much more metal stylings, it comes in gun metal grey, and silver, both of which help to accentuate the battle axe feeling of this instrument. Unlike all the other guitars in this review, this guitar is equipped with different pickups, that’s right folks, the Venom is armed with a pair of USA made EMG 81/85s that just scream when you play this thing. Its clean tone is a tad darker than the rest of the DBZs as a result, but this isn’t a bad thing as these guitars probably wont spend much time in a clean, low gain setting. With a distorted tone, these guitars come alive, with full bodied tones that have more than enough output for any situation, and more than enough bark and bite to fulfill any hard rock or metal guitarists wildest dreams. With its Floyd rose trem, and its wickedly hot EMG pickups, this guitar deserves more than the 10 out of 10 I can award it. Lets just say this, if you are hunting for the cream of the crop of metal guitars, the Venom might just be it.

So there you have it folks, some amazingly versatile, and amazingly powerful new guitars from DBZ, all of them with a unique voice, and their own amazingly unique styling,  so how about you go on over to World Music Supply today and order your own DBZ today, and quit looking and sounding like everyone else out there, start being unique with a new DBZ!

World Music Supply | Washburn Guitars

Hey guys its Brian from World Music Supply here again, and today I’m here to talk to you about some great guitars from Washburn. Washburn has always been known for making fantastic guitars, at bargain basement prices, and these are no exception. These guitars all sound, and play like instruments that cost three or four times as much.

The Washburn WIN14FVSB

The Washburn WIN14FVSB

Lets start with the WIN14FVSB, a nice single cut style guitar. The WIN14FVSB fits you like an old friend, it just feels right. The WIN14FVSB has a classic tobacco burst finish, with a basswood body, a bolt on maple neck with a nice carved cutaway, making it easier for your hand to slide up to the top of the neck. The power of the WIN14FVSB comes from the Washburn designed humbuckers, the sound of them is quite meaty, and musical. It filled out lead lines well, with thick harmonic sustain, and when I sat back and just strummed some chords, it was bright and resilient sounding, almost kind of twangy when in the bridge position, and in the neck position it sounded nice and round with all of the body and warmth you would expect. The control layout is slightly rearranged then a standard singlecut guitar, which is nice, because it makes doing pinky volume swells a lot easier. Overall I really like the WIN14FVSB, probably because I’ve always loved double humbucker guitars with basswood bodies, I give the WIN14FVSB a 9 out of 10, because I know people usually want a set neck on a guitar like this, but I love this guitar nonetheless.

The Washburn WINSTDCB

The Washburn WINSTDCB

Then lets move onto the WINSTDCB, which is a lot more typical of what you expect in a guitar this shape, carved mahogany body, maple top, and a bound body and neck. However you also get the extended relief neck joint, which makes it easier to slide up the higher frets, it also features a graphtech graphite nut, meaning the tuning on this guitar is a lot more stable than your average guitar. The WINSTDCB sounds big and fat, with more than enough sustain on tap for anyone, it has that classic sound that you can only get from a guitar like this.

Seymour Duncan USM

Seymour Duncan USM

The WINSTDCB also features Seymour Duncan USM humbuckers, which sound amazing, running it through a slightly overdriven tube amp I got plenty of classic blues rock style leads, with that nice fluid tone, that kind of sound that just soars when you bend it up just right.

The Washburn WINSTDCB

The Washburn WINSTDCB

Adding in some more gain, I got some serious chunk, with enough punch so it never got muddy. Later on, I dropped the tuning a step or so, and the WINSTDCB just growled and grinded through some chunky metal riffs, I personally love how versatile guitars like this are, it has all the right sounds for all the right situations, from bone dry jazz licks, to searing metal riffing, the WINSTDCB has it all. I give it a 9 out of 10, only because just like most LP style guitars, the WINSTDCB is a little on the heavy side, but it’s thanks to that weight that the WINSTDCB sustains as well as it does.

Lastly there is the WINSTDLITEG, a classic gold top style guitar, with a slimmer LITE style body. The guitar is a bit thinner than the other two guitars in today’s round-up, which means it weighs a bit less, meaning the WINSTDLITEG is more comfortable if you have to carry it around all night.  The WINSTDLITEG features a smooth and rather comfortable feeling carved maple top, ontop of the mahogany body. The set mahogany neck features a nice slightly slimmer profile then the other two, its not too thick to where it feels awkward to play leads, but it’s not too thin to where it feels uncomfortable to play chords, and just like the other two, the WINSTDLITEG is comfortable enough to play for hours and hours. The WINSTDLITEG has the same searing tones as the WINSTDCB thanks to those Seymour Duncan USM Pickups, with the same versatility as the WINSTDCB, with tones that range from smooth, warm jazz licks, to shred runs, this guitar has all of the power to give you the tones you want. Overall the WINSTDLITEG feels comfortable, and its slimmer body meant I could keep playing it for hours without it ever feeling heavy. I give the WINSTDLITEG a 10 out of 10 easy, because it has all of the tonal power of the WINSTDCB in a unique slimmer style body.

The Washburn WINSTDLITEG

The Washburn WINSTDLITEG

The long and short of it is, these guitars are awesome. You get all of the classic LP style guitar tones, and at a fraction of the cost. So if you’re looking for a great guitar, at a fantastic price, why don’t you go and head on over to WorldMusicSupply, and look through our long list of Washburn guitars and pick yourself one up today!

World Music Supply | DBZ Barchetta

Hey guys, its Brian here with World Music Supply, and today, I want to talk a little about DBZ Guitars. DBZ is the brain child of Dean B. Zelinsky, who parted ways with Dean Guitars in mid 2008. In order to give Mr. Zelinsky “personal control over design, direction and quality” he started DBZ guitars shortly after parting ways with his former company.

DBZ Barchetta LT Premier Series in Red

DBZ Barchetta LT Premier Series in Red

We here at World Music Supply currently carry the DBZ Barchetta, a guitar with all the sonic fire power and visual flash a modern shredder could ask for. We carry the LT Premier series in both the string through hardtail, and the Floyd Rose Pro equipped versions. This series of guitars all feature a heavily carved top, the signature Dean Zelinsky neck profile that is neither too fat, or too skinny, and a set of great sounding DBZ humbucking pickups. We also carry the Absinthe which is a Barchetta style guitar with a special Absinthe graphic, Grover tuners, a Floyd Rose Special, an ebonized rosewood fretboard and special diamond inlays. Lastly we also carry the Bare Bones Series of DBZ guitars, which are Barchetta style guitars, which all feature sleek graphic finishes, a Floyd Rose Special Tremolo, Grover tuners, and a set neck with an ebonized rosewood fretboard with upgraded bare bones inlays.

DBZ Bare Bones Series Devil Graphics

DBZ Bare Bones Series Devil Graphics

Ive gotten the opportunity to test drive a few of these guitars, and was thoroughly impressed by them in every way. The body style looks far more impressive in person, and pictures just don’t do this guitar justice. It hung comfortably on a strap, and the body bevels made it just as comfortable to play. The tone of these guitars is thick, with no range of the guitar over powering another, and the Floyd Rose worked wonderfully, coming safely back to pitch no matter how far I pushed or pulled it. The ability to coil tap the pickups was a fun feature, and provided me a bit of spanky, single coil tone, which is a nice addition to an already nice guitar.

These were designed by DBZ to be metal and hard rock guitars, and while I understand they were designed to be the guitar equivalent of fire breathing monsters. With the gain turned down I was able to wrangle some rather respectable classic rock tones, and with a clean tone, and the coils split, these guitars even do a fairly impressive impersonation of a strat, so even though they’re marketed as metal guitars, these are very versatile instruments.

DBZ Barchetta FR LT Premier Series in Black

DBZ Barchetta FR LT Premier Series in Black

Because of this amazing versatility, in my book the Barchetta series a pure 10 out of 10, as they are stunning guitars at a jaw dropping price, with features and quality rarely found in a guitar in this price range. So why don’t you do yourself a favor, and head on over to Worldmusicsupply.com and snag yourself one of these fantastic guitars before they’re all gone.