World Music Supply | Fender Pawn Shop Guitars

Hey guys, Brian from World Music Supply here again, to bring you another healthy dose of gear and guitar reviews. In today’s review I got the chance to check out some to look at some slightly older members of the Pawnshop Family of instruments from Fender. Way back when I covered the Fender Pawnshop series, I had to start with the models that had just come out on the market, the Jaguarillo, the reverse Jaguar, the Mustang special etc. The reason I’m bringing this up, is because I didn’t get the chance at the time to review the flagship models, the 51, and the 72, now that I finally had some spare time, I sat down and ran these two wonderful guitars through their paces.

The Fender 51 Pawn Shop Stratocaster

The Fender 51 Pawn Shop Stratocaster

First up is the 51, which was based off of the unexpectedly successful Squier 51, and is a strange Tele, Strat hybrid that looks like an old 51 P bass scaled down to a normal guitar size. I personally loved this guitar with its weird switching system, and no tone control. It took everything I loved about the Squier and supersized it. Fender gave it a hotter humbucker in the bridge, a bolder sounding neck pickup, and a much cleaner, and more intuitive switching system, with a more balanced and dynamic tone. The inclusion of the push pull knob, for splitting the humbucker into a cutting single coil instead was also a nice touch.

Running through a clean amp, this guitar certainly has a very Telecaster style sound to it, with more twang and bite on tap than any of the other members of the Pawn shop family. The neck was easy to play, and with the slightly thicker U shaped neck it certainly felt a lot more vintage than many Fenders rolling off the line nowadays. The comfort of bending on this neck, and the loose feel of it all really lent itself to playing fast, and cleanly, something that I always look for in new guitars.

Running through a dirty amp however, with the bridge pickup in humbucker mode, really took this guitar out of Tele territory, and turned it into a more modern sounding axe, able to throw down hard rock and even metal riffs with the best of them. The bridge in both positions had body, but still loads of cut to it, while the neck pickup was smooth and straty, with lots of roundness to the tone that never made the guitar sound wooly or overly bass heavy. This guitar can hang with anyone, rockers, country, blues guys, heck if you get it in black it can probably hold its own with a metal band, the 51 can really do it all and its because of this that I award it a solid 10 out of 10.

The Fender 72 Pawn Shop Stratocaster

The Fender 72 Pawn Shop Stratocaster

Next up is the 72, which is the natural evolution of the 51, taking the one third Tele, one third P bass, and one third Strat formula, and switching the telecaster part of the formula from a standard butterscotch Tele, and instead replacing it with the Thinline Tele, which leant its semi hollow F-hole equipped body, its 70’s esc colors, and its fullrange humbucker to the 51 formula, thus creating the beauty we call the 72. Most of the controls remain the same, with the single volume, no tone, and a blend knob to slide between pickup combinations.

The clean tone of the 72 was far, smoother than the 51. With a more mellow tone, without as much snap and twang on tap, this guitar has an almost jazz box like tone to it. With its crisp, round highs, and its tight, tubby low end this guitar has as tone to it that very few do. The bridge pickup was just as beefy but with a slightly more airy quality to it, thanks to the added resonance of the semi-hollow body. The neck pickup, when used alone, and when used with touches of the bridge pickup had a very big sound, with lots of beefy low end, but crystal clear highs, something that you really don’t find with any humbucker but the Fender wide range.

Running into a dirty amp this all still held true, with the bridge pickup sounding just as heavy and destructive as ever. While the neck pickup remained clear and pristine with all of the added harmonics of the distorted channel, but with all of the shimmer and shine that it had in the clean position. This guitar could easily get metal too, and the amount of feedback resistance in this guitar was amazing, as it took way more volume then I could even stand. Tuning it down, and turning the gain up, I was amazed at how metal this guitar really sounded with all of the searing, screaming power of the bridge pickup, and even the neck pickup remained pristine even at these high gain levels, truly amazing. The 72 in my book is one amazing machine, and it easily deserves a 10 out of 10 rating.

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World Music Supply | Fender Mustang Amplifiers

Hi it’s Brian from World Music Supply again, and I’m back to talk to you about Fender’s line of Mustang Amplifiers. Fender has long been a major power in the amplifier world, with powerhouse amps like the Bassman and the Twin reverb, not to mention their lesser known wonders like the Vibrolux, the bandmaster or the Princeton. Now though, with the new wave of modern modeling technology, Fender has begun to move into the world of modeling amplifiers with amplifiers like the G-Dec practice amp and the more powerful Mustang series of amplifiers. Armed to the teeth with powerful Fender DSP, all featuring your favorite vintage and modern Amplifiers and effects, and it comes loaded with extremely useful presets as well as USB connectivity to not only download more presets, but also to record direct into a computer with.

The Mustangs Simple Interface

The Mustangs Simple Interface

Rather then review the Amplifiers separately, I have decided to review them as a family, as the technology and the tones of the I, the II, the III, the IV, the V and the floor unit are completely identical. The only real difference between the units is the lack of the LCD screen interface and the 65 Deluxe model on the Mustang I and the Mustang II. The first thing you notice after turning on the amplifier is that a lot of the tones are Fender oriented and that is to be expected as this is first and foremost a Fender amplifier, sure they have different models vaguely disguised behind names like “British 60s” and “American 90s” but by and large you get fantastically accurate models of Fender models like the Fender Bassman, and the equally famous Twin Reverb.

The Mustang III

The Mustang III

Reviewing an amp like this is semi-difficult, as you are in effect reviewing literally a dozen amplifiers, and almost forty fully editable effects, but I will do my best to phrase and explain this varied pallet of tones and features. Using the included Fender Fuse software I was able to assemble large complex rigs very quickly, full of rack effects and plenty of pedals all to help shape your tone. there are twelve amplifier models, which include a 57 Deluxe, a 59 Bassman, a 57 Champ, a 65 Deluxe Reverb, a 65 Princeton Reverb, a 65 Twin Reverb, a Fender Super Sonic, The British 60s, 70s, and 80s which are rather well detailed models of a Vox and 70s and 80s era Marshalls, as well as the American 90s and Metal 2000 which are modeled on more high gain modern amplifiers.

The Mustang Floor

The Mustang Floor

All of the Fender Amplifiers are dead on accurate models of their name sakes, and as someone who loves the snappy clean tones of old pre-CBS Fender amplifiers I feel I can make that statement with confidence. The models seem to sound slightly more realistic on the higher Watt variants of the Mustang, but the I and II still sound amazing, they just lack some of the high volume characteristics of their big brothers. Out of the Fender models the most impressive was the 59 Bassman on the Mustang IV which sounded so much like my real Bassman that it was almost kind of frustrating that I saved so much money to buy a real Bassman. All of the Fender amps had their signature charms and characteristics, the twin reverb was sparkly and smooth, the Princeton was shimmering and had a nice bark at higher volumes, the champ had all of the classic Layla vibe that made it so famous, and the Bassman and Deluxe have all of the big body, big tone that made them so famous.

The Mustang IV

The Mustang IV

The spring reverbs also felt very Fender-y on their respective amps, feeling like a real amplifier reverb and less like a reverb you would get from a pedal. The other cool feature is the Fender Fuse software allows you to edit the Amplifiers much more than most other editing softwares, allowing you to hook up different amps to different speaker cabinets, change the bias, even down to adjusting the power amp sag. So you could have a Champ running through a tight sounding big 4×12. But if you’re looking for tight 4×12 tone, the British and American models sound equally impressive, with tones that really “speak” for the tone their aiming for. The British 70s has that big AC/DC tone, the British 60s has as very Beatles and Queen vibe to it, and the British 80s has a nice classic NWOBHM style vibe to it. The American Models remind me of the Randall I reviewed a week or so back, with the big, dark saturation that you expect from late 90s metal.

The Mustang V

The Mustang V

The pedal models that come with the Mustang are equally impressive, with everything from classic Tube Screamer style overdrives, to big fat Ring Modulator noises. They sound close enough to the real thing that with the optional four button footswitch, you could probably do a whole set with just this amp, and a laptop. The flexibility that having a laptop as your control module for an entire rig is just amazing, its like you own rack after rack of gear, and you have your own personal guitar tech who switches armfuls of gear for you.

When it comes down to it, the Mustang series of amplifiers is just fantastic. They have all of the classic fender tones, in one easily affordable package, and a whole slew of “British” and modern metal tones to fulfill those of us who might not like the classic Fender twang as much. For its ability to do everything in one little package, and making it feel like you have racks and racks of gear backstage the Fender Mustang series of Amplifiers scores a well deserved 10 out of 10.

World Music Supply | Fender Pawn Shop

Hey Guys, it’s Brian here with World Music Supply and I’m here to talk to you about the new line of Fender Pawnshop Guitars. By now we’re all at least semi-familiar with this new line of Fender guitars, but if you aren’t, let me fill you in. The Pawnshop line is in Fender’s own words are “guitars that never were but should have been.” They’re patterned after some of the more eccentric models that were produced during the latter years of Pre-CBS Fender, when they were coming out with models like the electric XII, the Musiclander, the Marauder, the Bass VI and let’s not forget the Starcaster or the Coronado.
 

          In truth though, the first line of these guitars, the 51 and the 72 are based off of the unexpectedly successful Squier 51, a strange Tele, Strat hybrid that looked like an old 51 P bass scaled down to a normal guitar size. I personally loved the Squier version, with its weird switching system, and no tone control. The fender model though? It took everything I loved about the Squier and supersized it. Fender gave it a hotter humbucker in the bridge, a bolder sounding neck pickup, and a much cleaner, and more intuitive switching system, and don’t even get me started on the 72. I am in love with that guitar, and if they offered it in fiesta red, I would pick one up in a heartbeat….but I digress. Now, Fender has created a new set of wild, retro looking guitars. The Pawn Shop line now includes the Offset Special, the Jaguarillo, a reverse Jaguar bass, and the Mustang Special.

The Fender Offset Special

The Fender Offset Special

 

Let’s start first with the Offset Special, the strange, mutant love child of a Fender Jazzmaster, and what looks like a Stratocaster. You want a weird and quirky guitar? This guitar has it in spades. The Jazzmaster has always been one of my favorite guitars, made as an attempt by Mr. Leo Fender to try and diversify his company away from making “country” guitars, he made what he figured jazz guitarists would love, big, full sounding pickups, a floating tremolo, and a circuit just for the neck pickup, so you could get two different flavors of smooth tone. Problem was…jazz guitarists tend to be a pretty conservative bunch, and they didn’t want any part of it.

    The only people to give the model recognition were surf guitarists during the 60’s, but they soon migrated back to their Stratocasters with the success of bands like The Shadows and Dick Dale, and when Fender came out with the Jaguar, the Jazzmaster fell into disuse and mediocrity. It wasn’t until bands like Nirvana and Sonic Youth got their hands on these old relics that Leo had designed for jazz guitarists, now found acceptances by post rockers and grunge players alike. So why did I go through this short history lesson on the Jazzmaster? Well I want to point out just how weird the Offset Special is. They took most of the hardware from the Jazzmaster, one of their least successful guitars of all time, and mated it with the Stratocaster, arguably one of their finest guitars of all time, and what do we end up with? Something amazing, a guitar with all the smooth tone and class of a Jazzmaster, and all the power and playability of a Strat. So in short, what do you get with the Offset Special? We get a hollow, offset, Strat style body, with big steel guitar style pickups, a floating tremolo, and a 21 fret Strat style neck, and the sounds of this thing is huge! It’s like a cross between a Gretch Country Gentleman, and a Jazzmaster. Thanks to the hollow body, and the shorter distance from the tremolo to the bridge, the Offset Special defiantly sounds bigger then a normal Jazzmaster, a bit fuller, a bit rounder, and the floating trem lends itself well to smooth jazzy bends. I love the period correct style of the guitar, what with it looking like a cross between a Jazzmaster, a Stratocaster, and a 72 Tele, the Offset Special has something for everybody. I give it an 8 out of 10 stars, because even though it does have a very distinct tone thanks to the Jazzmaster style pickups which are well suited to country, jazz and certain brands of alternative rock, that same distinctive tone that gives it that signature shimmer and spank, might not lend themselves to heavier styles of music as well. 

The Fender Jaguarillo

The Fender Jaguarillo

          Next up is the Jaguarillo, my personal favorite of the new line up, because its just one of those “really why didn’t they do that sooner?” kind of designs. I’ve seen people do this with Jaguars for years, take out bridge pickup and replace it with a humbucker. By itself that would be enough to make the Jaguarillo a great little guitar, but pair that with a much simpler switching system and a slanted HSS configuration, and you have one monster of a guitar. The Jazzmaster style trem is well suited to bigsby style flutter, or some light vibrato. The HSS configuration is slanted, meaning it makes the low strings sound a little fatter, and the high strings a tiny bit brighter, so it sounds like a Strat, just with a little wider range of tones.  Lastly, something about the offset pickups and the simplified control scheme, just makes this guitar look so, so good. Out of the new pawnshop line up, I like the Jaguarillo the best, especially in the faded sonic blue, easily  9 out of 10 stars, simply because some people might have reservations about buying a guitar with slanted pickups. Regardless, the Jaguarillo looks and sounds amazing!

The Fender Mustang Special

The Fender Mustang Special

Then, rounding out the Pawnshop Guitar line is the Mustang Special. Now this is something I’ve been hoping fender would do for a long time, introduce a nice small guitar again. Sure I loved the old Mustang, but that tremolo unit on it always frustrated me, sure it worked, but it was just so tedious to maintain, and though I love the sound of fender single-coils, on an instrument this small, they just sounded a tad too bright even for my tastes. So the addition of a good hardtail bridge and some nice fender full-range humbuckers is just what this guitar deserves. The Mustang style switching system is still there, but now with the more powerful pickups, its given a whole new twist of being able to do strange coil tapping, where you can either have the back, or front pickup of the humbucker. Overall I give it a 9 out of 10, because even though I love it, I’m sure a Fender purist is going to be mad that the mustang trem and phase switching isn’t there. This guitar sounds amazing though, purists aside, and I’m glad that Fender finally has a good sounding, and good looking little guitar again, and at an affordable price.

The Fender Reverse Jaguar Bass

The Fender Reverse Jaguar Bass

Now a strange turn for the line is the more modern flavor of the new Reverse Jaguar Bass. Featuring a Fender high mass modern bridge, a bigblock humbucker in the neck, a reverse jaguar special humbucker in the bridge, and a short-ish scale 32” neck with a reverse headstock and trust me, this thing sounds massive. I like the shorter scale length, but I also like that they didn’t go as low as 30” like fender used to with the mustang basses, which always sounded a little dark to me. This thing though? It’s the perfect place between too dark and too bright, with more then enough power on tap for even the most modern bass players. The reverse design is something I love too, it reminds me of old Mosrite guitars, and basses from the 70’s All in all, this bass is a nice addition to the new line up that is the Fender Jaguar bass range. Easily the best idea fender has had in a while. I easily give the Fender Reverse Jaguar 10 out of 10 stars, because even a Fender purist can’t get mad, because the jaguar line is such a new line of basses. Now if only they would make a guitar version of a reverse jaguar, maybe with some modern touches as well? Some high output humbuckers and a Floyd Rose anybody?

the four new additions to the Fender family

the four new additions to the Fender family

At the end of the day, I like the Pawnshop line up, probably because I love all those weird Fenders from back when Leo ran the show, and let’s be honest, these guitars are beautiful. So what if they don’t look like your standard Strat or Tele, if you get one of these, you will have a weird little gem of a guitar that is quirky and unique, with all the spank and sparkle that you have come to expect from Fender. So how about you go on over to Worldmusicsupply.com, find something unique, and start standing out from the crowd, go get yourself a Fender Pawnshop guitar today!