World Music Supply | DBZ Guitars

Hey guys, I know its been a long, long time, but Brian of the World Music Supply blog has made his return! I was finally able to move around things in my schedule to yet again reasonably accommodate the blog, so lets get down to business. I am here to today to talk about some awesome guitars we have right now from our good friends over at DBZ. We here at World Music Supply love DBZ Guitars. Its as simple as that. They are high quality guitars, made with high quality parts, with precision workmanship, what’s not to like?
DBZ BARFMPL-FR-NS Barchetta FM Plus Series Electric Guitar

First up on the block today are the Barchetta Plus FM Series, these guys are amazing. I’ve been a big fan of the Barchetta body style since I first saw them a year or so back, their sleek strat style body, with its futuristic carved top body, and the classic vibe of the 3×3 headstock. It all adds up to a very stunning looking guitar. Back in those days though, the only versions of this guitar that I had ever laid eyes on were red, black and gray. Don’t get me wrong, those guitars were beautiful, and they played like a dream, but these guitars though, with their abalone binding, deep flamed maple tops, and matching headstock, they’re just a whole other level.

now of course they still have all of the same appointments as their non flamed maple counterparts, the DBZ signature neck contour, the floyd rose, the DBZ signature pickups with a push pull knob, and that big metal badge on the headstock, all of it puts this guitar some where between a workhorse of a guitar, and a luxury art piece. Form and functionality in harmony.

DBZ BARFM-FR-TBK Barchetta FM Flamed Maple Top Electric Guitar

DBZ BARFM-FR-TBK Barchetta FM Flamed Maple Top Electric Guitar

Amplified, the flamed maple adds a tiny bit to the guitars overall tone, but the big difference in tone seems to come from the mahogany, as opposed to the alder bodies of the LT series I am so familiar with. The tone seemed to be a little thicker, with a much heavier lower midrange bark. Alder had a balanced and almost focused sound, but this guitar paired with its mahogany body and stunning flamed maple top, well… it really growls at you. Chording on it felt nice and smooth, with enough presence to make sure I was heard over even the most over the top of drummers, and single note lines had a ferocity to them, an attitude almost. Someone could make a career off of this guitar, carry it with them from day one, be the symbol their recognized for. That’s the kind of guitar this is, it’s a guitar that will leave an impression.

DBZ BARFMPL-FR-SF Barchetta FM Plus Series Electric Guitar

DBZ BARFMPL-FR-SF Barchetta FM Plus Series Electric Guitar

Overall score, easy 10 out of 10

Long time readers of the WMS Blog will know that when it comes to guitars I have two real weaknesses, Telecasters, and White Lespauls. I really don’t know why its these two guitar styles, but they’re really powerful to me. So when the DBZ Bolero Calavera made its way into the WMS offices I had to look at the thing. Just stare at it. Its just so flashy, with its stylized metal truss rod cover, the old DBZ signature tailpiece, and oh yea, the giant metal tramp stamp (that’s what they call it, not me) that’s anchored to the lower bout of the guitar.

DBZ BOLCAL-WH Bolero Calavera Series Single Cutaway Electric Guitar

DBZ BOLCAL-WH Bolero Calavera Series Single Cutaway Electric Guitar

Other than the unusual appointments at either end of the guitar, this is a fairly typical Bolero. Mahogany body, maple top, ebonized rosewood fretboard with 22 frets and their DBZB and DBZ5 Pickups. Their also given some cool Pearloid purfling around the body as well, which really makes this guitar stand out. It might feel like a normal Bolero, but when I was playing it felt so different, it was almost like the sheer attitude of the guitar, made it another guitar. Like when you listen to some really old classic rock, you know the guitarists really aren’t that good, but you can’t quit listening. Even though their entire education must have come from one or at the most two mel bay guitar method books, you’re just captured by that sheer attitude that is exuded from their guitar.

That’s how this guitar felt, I knew it sounded almost the same as the bolero, maybe a tiny, tiny bit different because of the chunks of metal on the guitar, but this guitar just made me want to play different. It made me really slam into the guitar, dig in with my pick. I was all power chords and grit, sure the clean sound is cool and jazzy, and the single note lines are fat and clear, but look at this thing, your likely never going to play a clean line on this guitar, and sure you might play a solo here and there, but most of the work on a guitar like this is going to be very power chord heavy.

I loved this guitar, if not for the fact that it is a fantastic guitar just like the standard Bolero, but also because of its really heavy attitude. It made me play different, act different, it made me really want to crank up my amp, make my neighbors angry. That’s what this guitar felt like, it felt like what we all thought Rock & Roll was when we were little kids.

Overall score 9 out of 10. Because even though it is almost perfect, it is for a certain kind of guitarist, and that isn’t everyone.

World Music Supply | ESP Guitars

Hey guys, it’s Brian from World Music Supply again, bringing your usual dose of gear and guitar reviews. Today I get to bring you a few gems from our friends over at ESP, what I love about ESP and LTD guitars are just how lead friendly they are. As someone who grew up playing metal guitar, and even though I have transitioned away from that style of playing and into less labor intensive styles of music, I still love the feel of a guitar with a thin neck, and nearly flat radius, and when it comes to big, thick metal lead tones, ESP has always been my go to brand. So think of the theme of today, as guitars crafted for metal, but with enough stylistic wiggle room to fit in well enough almost anywhere.

ESP Ltd M103FM See-Thru Black

ESP Ltd M103FM See-Thru Black

First up on the list for today is the M103FM-STBK, which is part of their Mirage series of guitars, which are your rather typical Super Strat affair. Shred friendly necks, nice flattened radius, bold sounding pickups, and of course that perfectly setup Floyd Rose Special tremolo. The LH-150 humbucking bridge pickup had a wonderfully full sound, with a rather nice low end to it, which is something I always look for in a bridge pickup, the LS-120 middle and neck pickups had a nice clarity to them, but still had a very full sound, more so than you typically find in single coil pickups.

To play this guitar is a thing of beauty, the neck is lighting fast, and the combination of a maple fretboard and a trans black flamed maple top is a true thing of beauty. The feel of the neck is perfect for those who need to play fast, with big tall frets, and a nice flattened out radius, not to mention the delivering big bends with the Floyd Rose. Clean this translates to a guitar that has a all of the spank and sparkle that you expect of a strat, but when you crank up the distortion this guitar becomes a thing of power! With fiery rhythm tones, that have all of the weight and girth you could ever need, and with enough punchy lead sounds, or if you switch to the neck pickup, glassy lead sounds to keep your lead work sounding fresh for years.

so what is the M103FM-STBK? Well to put it briefly, it’s a workhorse. This guitar has all of the tones you could ever need, a Floyd Rose, and a neck that is perfect for shred friendly guitarists, all at a price point that is more than accessible to the beginning metal guitarist, and this is why the M103FM-STBK earns itself a solid 10 out of 10.

EC1000FR-STBLK

EC1000FR-STBLK

Next up is something a little less conventional than a super strat, a super LP, the EC1000FR-STBLK. This isn’t your average LP, this guitar comes armed to the teeth with all the appointments of a modern metal machine. Covered in a trans black flamed maple top, with plenty of abalone appointments, and not to mention the delicious black nickel hardware and the really cool Earvana Compensated Nut.

First off, this guitar does still carry a lot of the already amazing specifications of a standard LP, Mahogany body, Flamed Maple top, nice Thin U Mahogany Neck, but this guitar is definitely hotrodded. This all starts with the 24 fret neck, with 24 big XJ sized frets which are just great for lighting fast legato runs. You also get an amazing set of EMG pickups, with an 80 in the bridge, and a 60 in the neck. These pickups have a very big, full tone to them, with plenty of smooth clean signal, and enough output to drive even the heaviest of metal. Next you get the obvious addition of the black nickel Floyd Rose 1000 tremolo, with an Earvana compensated locking nut.

My understanding of the Earvana system is it slightly offsets the scale length of each string to help keep each string in tune better, and help eliminate the inherent intonation issues of the guitar. What this translated to, while subtle, was an ability to play in tune perfectly next to very unforgiving instruments. What I mean by this, is when you are a guitarist who only plays with other guitarists, if you’re slightly out of tune, its not too easy to notice, as it almost creates a chorusing or doubling effect, which your brain will translate as musical rather than an out of tune note. But, if you’re like me, and often play guitar next to a synthesizer, you know that if you are out of tune, you can’t try and hide it, because the keyboard can’t really be slightly sharp or flat, and your guitar can be.  

With these kinds of appointments, you would expect this guitar to play like a dream, and you would not be disappointed. The neck was perfect, thin and quick enough for super fast lead work, but still with enough meat left on it that I didn’t feel weird playing chords on it. The Earvana nut was a subtle improvement, but it made playing chords sound just a little bit sweeter, and when I played next to a keyboard on a synth pad, I noticed my guitar sounded a little more “on” than usual, almost like there were more riffs that worked with the chord than usual. All of my lead work sounded a little more alive too, thanks to the EMGs distinctive sound, and I wanted to keep playing longer, just because this guitar is so cool to look at, I just didn’t want to put it down.

At the end of the day, what more could you ask for? This guitar is everything you love about a standard LP, but with a dozen or so amazing additions to it’s already genius design that make it so much more to cherish. For the simple fact that they took one of the greatest designs for a guitar in history, and turned it up to 11, the EC1000FR-STBLK earns itself a solid 10 out of 10.

World Music Supply | Jackson Slat Series

Hey guys, its Brian from World Music Supply here again to bring you your usual dose of guitar and gear reviews. In today’s blog I get the chance to look over, and review a few new guitars by our friends over at Jackson Guitars. The Model in question is their new SLAT series, which is a new model being released within their very affordable X series of guitars. SLAT stands for SoLoist Arch Top, as the guitar is overall based on the standard Soloist body, and architecture, however this guitar will not look, or sound like a typical soloist. The first and most obvious difference is the headstock, which rather than the typical triangle design, taken from the early Randy Rhoads designs, to a spear like design, with a 3X3 layout. The next most obvious difference is the smaller fretboard inlays that Jackson refers to as “Piranha” rather than their typical shark inlay.

The Jackson X Series SLATTXMG3-6 Electric Guitar in Matte Black

The Jackson X Series SLATTXMG3-6 Electric Guitar in Matte Black

There are a few different overall variants to the SLAT layout, with the main differences being, the addition of a 4A quilted maple top, the switch from a TonePros tune-o-matic string thru bridge, to a Floyd Rose Special Tremolo system, and the SLAT is also available as a seven string. For my review today, lets begin with the SLATTXMG3-6 which is a straight ahead rock machine, covered in a slick looking, Matte Black finish, and armed with the same equipment its whole family is armed with, and that is a super powered set of EMG 81 and 85 humbuckers.

Clean this guy is a joy to play, as the compound radius neck makes it super comfortable to play big open position chords, and as you move up the neck you slowly shift into the equally comfortable flattened out radius section of the neck, which while it is still comfortable to chord on, it is ideal for soloing or just noodling on. The sound of the EMG pickups was strangely not as dark as I usually find them this time around, whether that was the combonation of body woods, the fact that this guitar is a neck through style or what, but what ever it is let it be known that it sounds down right amazing. The tone was bold and snappy, but big enough that you could easily just strum chords all night and genuinely not sound bad.

The heart of this guitar however is its sound when you crank the amp and let this guitar open up. The tone is pure, and singing with sustain for days thanks to the neck through design, and the graphite reinforced three piece neck, which results in one of the most stable necks I have ever had the pleasure of playing. The fast neck profile is thin and quick to play on, but with enough girth to it that it never got uncomfortable. The tone was tight, and heavy as possible, with lots of note definition, and clarity. Drop tuned chords spoke with a dark and booming grunt, solos sang with a brilliant almost vocal quality, and you could even get away with playing full open position chords without the sound getting overly muddy or dark if you had the gain dropped a little bit.

The Jackson X Series SLATTXMGQ3-6 Electric Guitar in Trans Red

The Jackson X Series SLATTXMGQ3-6 Electric Guitar in Trans Red

This model is also available with a 4A quilt maple top in the SLATTXMGQ3-6, and while they look visually quite different, tonally they have a very similar flavor. The only real tonal difference is a slightly brighter attack in the Quilt maple version.

The  Jackson X Series SLATXMG3-6 Electric Guitar in Gloss Black

The Jackson X Series SLATXMG3-6 Electric Guitar in Gloss Black

However, there is a much different version of this guitar, with the Floyd Rose equipped version, which is available in gloss black as the SLATXMG3-6, and with a sunburst finished Quilt maple top in the SLATXMGQ3-6. The inclusion of a Floyd totally changes the voice of this guitar, giving it a lot more mid range punch and growl, not to mention allowing you to do monstrous dive bombs and up bends. The clean tone is still there, with all of the clarity and bright biting tone that the string thru version possessed.   

Dirty however, and this guitar possesses quite a different voice than its brother, with that extra mid range growl this guitar suddenly becomes a screamer. The power of a Floyd rose always takes the typical guitar, and gives it super powers, suddenly you can bend notes up a fourth, a fifth, well as high as you want if you don’t mind breaking strings. Power chords now bark out, single notes scream off the fretboard, and yet, the smoothness never leaves this instrument, this guitar is powerful.

The Jackson X Series SLATXMGQ3-6 Electric Guitar in Sunburst

The Jackson X Series SLATXMGQ3-6 Electric Guitar in Sunburst

The quilt top version of this guitar, renamed the SLATTXMGQ3-6 has slightly different voice than its gloss black brother, with the mid range heavy voice, now shifting into a more upper mid range area, and the bottom end of the guitar now possessing a slightly darker character. I still liked this version mind you, as it sounded glassier, and a little more refined. But lets not forget the beast that lays at the end of this review, the SLATTXMG3-7 7 String.

The Jackson X Series SLATTXMG3-7 7 String Electric Guitar in Gloss Black

The Jackson X Series SLATTXMG3-7 7 String Electric Guitar in Gloss Black

Now I want this to be mentioned before I start, I don’t play a ton of 7 string, anytime I’ve ever needed to go that low, I just use a baritone guitar. So to me, these two ranges have always existed on separate instruments, and have been treated as such. So suddenly not having that minor third after the D was a little wonky, and being able to move from my E down to a low B or even a low A, that was a strange feeling. However the one thing that felt like home to me was the EMG 707 pickups, as they have a very clear and even voice to them. The scale length was also a little different and foreign to me, as it was a strange scale length at 26.5 which is somewhere between a baritone and a standard fender length. This meant that when I tuned the B down to A to get huge, metal power chords, the string didn’t feel floppy or weird.

The compound radius was far more helpful and noticeable on this model than it was on the other variants of the guitar, which I chalk up to the fact that this guitars neck is just that little bit wider. The sustain on this guitar was still amazing, and the dark voice of this guitar really helped to accentuate the darker things that tend to get played on a 7 string.

chording on this guitar felt a little weird to me, but after a bit it started to feel pretty natural, and the chords still rung out with a clear, articulate voice. Moving up the neck to that nice flatter area, it is readily apparent how quick you really can play on a guitar like this. Distorted, this guitars voice is massive, sheer metal obnoxiousness. I was able to play straight ahead rock on most of the neck, and if I wanted to dip into some old Korn riffs, or more modern djent stylings, it was all there for the taking.

The Jackson X Series SLATTXMGQ3-7 7 String Electric Guitar in Trans Black

The Jackson X Series SLATTXMGQ3-7 7 String Electric Guitar in Trans Black

There is also a maple top version of the 7 string, called the SLATTXMGQ3 with its very handsome trans black finish, sounds just amazing, as adding that extra high end zing to an instrument with a darker voice really helps to accentuate its entire range. I was able to keep from sounding bass heavy even when I tuned the whole guitar down, even as far as two whole steps down, and never once did the guitar start to sound muddy or bass heavy.

Clean tones were janglier, with a more twangy edge to them, low note chords ringing out with piano like sustain. In a distorted setting, the maple topped 7 string roared out, with a thick, searing tone. The darker voice of the guitar that was present before, now with a tangy upper midrange, and even a little high end sizzle helping to pull this guitar up into a really focused midrange seat.

The Slat series is astounding, all of the models in the line are comfortable, the distinctive headstock shape looks really cool, and the finishes are a cool dash of classic Jackson, and modern metal flair. I could list reasons off for days why these models deserve their score, but I think my writing, and the numerous youtube videos Jackson released for these guitars speak for themselves, even if the guitarist screws up here and again. At the end of the day though, any metal guitarist, rock guitarist, or anyone just looking for a guitar to put in their stable with a distinctive voice, the new Jackson Slat series earns an easy 10 out of 10.

World Music Supply | Jackson Guitars

Hey guys it’s Brian from World Music Supply here again, sorry for the lack of a post Monday, but it was Labor day here in the good ol’ US of A and I had to spend it getting caught up on school work, so to all of our American readers, I hope you had a better Labor day than I, and to our foreign readers, I hope you had a pleasant Monday. Getting down to business, in today’s blog, I get to take a look at some cool guitars from our friends over at Jackson. As I’ve mentioned before, the formation of Jackson guitars is actually pretty weird, the company was formed by Grover Jackson shortly after he acquired Charvel Guitars. Jackson was initially a brand name applied to models that were so far from the norm, that he was worried releasing them under the Charvel name might damage the image of the brand. The First major guitar designed for the Jackson brand was the Concorde, which was designed in conjunction with one Randy Rhoads. This sleek revamp of the Flying V design was a radical departure for guitar design at the time (the very beginning of the 80s) and the redesign of many other older designs became a hallmark of Jackson guitars, and by association the majority of the guitar scene of the 1980s, with sleeker, more slender, and pointier versions of classic designs.

The Jackson RRXMG Rhoads Electric Guitar Snow White with Black Pin Stripes

The Jackson RRXMG Rhoads Electric Guitar Snow White with Black Pin Stripes

In today’s blog I get a chance to review a “proper” Randy Rhoads with the RRXMG in Snow White with Black Pin Stripes, and a more typical Jackson with the SLX Soloist in Kawasabi Green. First up is the RRXMG, which is a fairly liberal take on the classic Randy Rhoads Concorde, with the smaller modern Rhoads shape, and more modern details, like a compound radius fretboard, a Floyd Rose Special, and a set of EMG 81 and 85 pickups. This Rhoads is a sight to behold, its sleek white basswood and maple neck through body create an amazingly resonant and tuneful guitar.

Plugged in this guitar has that standard 81 85 speaking voice, with it’s darker clean sounds, with a warm, mellow attack and long singing sustain. The added body that the EMGs give to your clean tone are very noticeable on a guitar like this, as the neck through design adds plenty of body to the tone as well, resulting in a big, fat tone, even on the thinner sounding bridge pickup. Playing all of the neo-classical clean passages that Randy strategically placed throughout many famous Ozzy songs on a guitar like this really helps define why these modern modifications to a classic design are so useful. The addition of a modern compound radius means that all of those single notes runs and complex chords without worrying about your hand cramping up or fretting out during fast runs, and the fuller sounding active pickups add a clarity and body that normal humbucking pickups just couldn’t replicate.

Plugged into a Randall RT503H and its matching cabinet, this guitar has more than enough power to match those classic RR tones, with all of the punch and power that made the Rhoads guitar so infamous. Running through every Ozzy song I had memorized, this guitar pulled more than its weight, with tones that were as close to the record as I’ve ever heard them, and with more than enough power on hand to go far further thanks to the powerful EMG pickups. Switching out of Ozzy mode, I was able to comp some more modern metal tones from this guitar as well, simply by dropping the tuning a little, and letting the EMG pickups do what they do best, be as loud as absolutely possible. EMGs have the ability to stay tight no matter how high, or how low the tuning, with increased sustain and harmonic response thanks to their increased output.

In short the RRXMG is one powerful machine, with sustain for days, and a look and feel of one of the most famous guitars in metal history.  For all of these facts the RRXMG earns itself a much deserved 10 out of 10.

The Jackson SLX Soloist Electric Guitar Floyd Rose Special Kawasabi Green

The Jackson SLX Soloist Electric Guitar Floyd Rose Special Kawasabi Green

Next up is the SLX Soloist, which while I picked the rather distinctive Kawasabi Green for the review, it’s available in both Black and Snow White as well. The reason  I picked Kawasabi Green out of the other two colors is simply, because one, it is very distinct looking, and two, because Jackson Guitars was made famous by a handful of shredders back in the 80’s, and nothing says 80’s quite the same as a neon green guitar. This guitar comes outfitted with a through body maple neck, a Floyd Rose Special tremolo, a compound radius fretboard, and a set of Duncan Designed HB102 pickups.

Plugged into a clean amp, the HB102 humbuckers are smooth and warm sounding, allowing for clean jazzy runs and slick chord tones, made all the more enjoyable thanks to the comfortable neck profile and the compound fretboard radius, which made it easier to chord on the low end of the neck, and play quick runs on the upper end, without ever feeling strange or inappropriate. The bridge pickup was just snappy enough to help me cut through, but not so brash as to make using it on its own painful or annoying to listen to, and the neck was warm and clear, without being too bass heavy or muddy sounding.

Plugged into the same Randall RT503H and matching Randall Cabinet, the SLX proved itself quite versatile, able to pull off everything from modern metal grind, with dropped chords having a big beefy low end to them without losing too much high end, and having just as much power when it came to playing more traditional styles of rock. Tuned up in standard, this guitar had no problem banging out classic 80’s riffs that range from two handed Van Halen style brashness, to Police style chordal runs. The comfortable radius of the neck made this all the better, allowing me to play more natural all along the neck, and the Floyd Rose made any style of dive bomb, swirling vibrato, and high flying trem arm acrobatics a breeze, always coming back to tune no matter what I threw at it.

The Soloist has been a hallmark of the Jackson line for decades, and playing this guitar I understand why. I think it’s easier to understand what a super-strat really is, and why that style of guitar ruled the market place for nearly 20 years when you play a guitar like this, with all of it’s amazing appointments and its sheer array of tones, the SLX Soloist earns itself an easy 10 out of 10.

World Music Supply | ESP Guitars

Hi guys, its Brian from World Music Supply here again, to bring you another healthy dose of guitar and gear reviews, and today I have a few guitars from our friends at ESP. As I’ve mentioned in past posts, ESP, which means Electric Sound Products, was founded by one Hisatake Shibuya in Tokyo in the mid 70’s making replacement parts for guitar. They eventually relocated to the US in the early 80’s and quickly made a name for themselves by making custom guitars for the likes of Vernon Reid of Living Colour, Ronnie Wood of the Rolling Stones and George Lynch. Since the early days ESP has prided itself on making beautifully crafted instruments at reasonable prices, and they keep this mind set in all of their products. Today I’m going to cover a few models from their LTD line, mainly their more aggressive and out there models, specifically the AX50, and the F100FM.

The ESP AX50 in Black

The ESP AX50 in Black

These guitars are designed, and built from the ground up to play hardcore, low down, metal. This aspect is reflected not only in their tones, but also in their modern styling. First up on the chopping block today is the AX50-BK, which is their most oddly shaped guitar to date, and looking at it, with its X shape, with plenty of rounded curves and macho vibe, it’s clear that this guitar was designed with the modern shredder in mind. The guitars circular back cut out strangely reminds me of a sci-fi flick, or a battle axe from a horror movie, and its tones match that description pretty well. Plugging into a Randall RT503H, this guitar was rather impressive, its clean tones were smooth and soulful, which I wasn’t expecting out of a guitar that looks like you could slay demons with it. The bridge pickup is gritty and biting, but it isn’t so trebly that it stings when you slam into it on a clean setting, the middle position was warm and airy, with an almost acoustic flavor, and the neck pickup was round, and rather jazzy…another happy yet unexpected sound.

But, lets be honest, this guitar will probably never run through a clean amp on purpose, guitars that are shapes like this are meant to do two things, play metal, and look awesome, and this guitar does those two things well. Playing on a slightly overdriven setting this guitar had a nice classic rock vibe, with plenty of warmth, and some old school punk style bite. Cranking the gain stage some more, this guitar started to really get into its element, and after dropping the tuning a whole step, and really letting this guitar take off, it becomes readily apparent that this guitar is capable of some serious grind. The two octave range of the thin neck, with its flatter fingerboard radius, and jumbo frets meant that I could really climb up the neck, and pull out some serious shred tones, but still have all of the girth and chunk available at the other end of the board, where the real ferocity of this beast lives. This guitar has a pure, aggressive tone, with some shimmer and sparkle on tap, if the need for it ever arises, and its that kind of jack of all trades ability that I love when it comes to guitars, however, this guitar does look like a giant battle axe, and that mark alone will keep it out of the hands of many guitarists who would need that kind of versatility. So at the end of the day, the AX50-BK earns itself an 8 out of 10 for many guitarists, but if metal is your forte, the AX50-BK easily snags a 10 out of 10.

The ESP F100FM in See Through Black

The ESP F100FM in See Through Black

Next up to bat, is the F100FM-STBK, which is a part of the now infamous ESP F series of guitars, which are like Stratocasters, if the Strat had been designed by a Transylvanian warlock rather than a radio repairman from southern California. The heavily beveled body, and roaring tones of the F series have been a trademark of everyone from big touring metal acts, to local shredders who are just starting to cut their teeth in the music biz. It’s that kind of universal reliance that has made the F series so well known, and after plugging this bad boy in, it’s clear the rumors are true.

Clean tones are sparkly and spanky, just like you would expect from an instrument that bares even a passing resemblance to a Strat. However, this is a double humbucking guitar, meaning it has a much beefier foot print than its three single coil equipped cousin, which means that its snappy tones are fatter, and its round tones are rounder still. However, like the AX50, this is a guitar that thrives on distorted settings, and after a few minutes playing this guitar clean, I decided I had waited long enough, and switched to the Overdrive one stage of the RT503H, and turned the gain up to what I would consider an obnoxious setting, and just let this guitar loose. The shear power that this guitar exhibits is astonishing, there is some real muscle behind this thing, with plenty of punch, but a nice round low end, even with all of the blistering distortion that was caking up around it. This guitar just has tone for days, and the comfortable shape of the neck, with the 24 jumbo frets, all made for one amazingly playable, amazing sounding guitar. The F100FM has a far more mainstream shape than the AX50, however it still falls squarely in metal guitar territory, meaning even though it sounds so good, with tons of tone on tap, the F100FM-STBK can only score a 9 out of 10, because even though it sounds almost perfect, it doesn’t seem like something you would see on stage with say, a country act. However, as with the AX50, if you are a shredder, or metal is your area of expertise, than the F100Fm-STBK than this guitar easily gets itself a 10 out of 10.

World Music Supply | ESP & LTD Electrics

Hey guys it’s Brian here with World Music Supply again and today I’m going to talk a little bit about ESP guitars. ESP, which means Electric Sound Products, was founded by one Hisatake Shibuya in Tokyo in the mid 70’s making replacement parts for guitar. They eventually relocated to the US in the early 80’s and quickly made a name for themselves by making custom guitars for the likes of Vernon Reid of Living Colour, Ronnie Wood of the Rolling Stones and George Lynch. Since the early days ESP has prided itself on making beautifully crafted instruments at reasonable prices, and they keep this mind set in all of their products. Today I’m going to cover a few models from their LTD line, the VIPER 300, the EC1000, and the MH327.

The ESP Ltd Viper 300FM See-Thru Black Cherry

The ESP Ltd Viper 300FM See-Thru Black Cherry

The VIPER is a classic ESP shape, a modified, and heavily sculpted variation on an already classic double cutaway design, the VIPER 300 fits you like a dream. Its odd asymmetrical shape gives it a cool stylistic edge, and its powerful EMG Pickups provide it with a heavy sonic edge like no other active pickup can provide. The heavily flamed top gives it a nice classy look, and the flag inlays help to give it a very high class look.

Sitting down with the VIPER 300 and running it through its paces was revealing. The first thing I always notice about guitars with EMG pickups is how big and dark their clean sounds are, and this guitar is no exception. With big dark tones, which are almost jazzy in tonality, I was able to run through some slick changes with a very musical tone, and with its 24 frets, I was able to travel a lot further through these jazz runs than usual.

Cranking the gain on my amp up a little bit resulted in deep, full saturation. The EMG 81 and 85 Pickups provide big tone at any range, pulling up far more frequencies than their passive counterparts. This ability to pull up frequencies means that your tone has all of that sparkle that you get from compressors, but without the lack of dynamic control. The VIPER played smooth across its whole length, and with its thin U profile neck and its XJ Frets meant that it was also super fast across its whole length, and super easy to play lightning fast shred lines for hours without ever having to slow down.

The VIPER 300 is a fantastic guitar, with more than enough power to play even the darkest, heaviest metal, or even the most mellow of jazz licks. The VIPER 300 is a great guitar for literally any collection, and it gets a 10 out of 10, as its classic looks, powerfully versatile sounds, and handsome flamed top all add up to one monster of a guitar. 

The ESP LTD EC1000 Flamed Maple Antique Sunburst

The ESP LTD EC1000 Flamed Maple Antique Sunburst

Next up on the chopping block is the EC1000FM specifically the Aged Vintage Sunburst which features Seymour Duncan pickups, Tonepros locking TOM style bridge, and Sperzel  locking tuners. This guitar features a very handsome take on the classic LP style body shape, with a sharp looking florentine cutaway and stunning abalone inlays and binding all over the guitar.

Plugging the guitar in, I was confronted with some very powerful tones. This guitar practically cried out to play classic rock riffs, with its classic pairing of a mahogany body and a flamed maple top, and its powerful Seymour Duncan pickups, this guitar screamed. On clean settings it dazzled me with some of the most pristine cleans possible, able to be both bright and chimey and yet mellow and full all at once, and on a dirty setting it was able to bark and shout with the best of them. Like the last guitar, the EC1000 also features a Thin U neck contour and 24 XJ frets, which means that it still is a lighting quick shred machine. Now while this fit great with the more metal stylings of the  VIPER 300, it seems a tad out of place with the classic rock stylings of the EC1000, but it does give the EC1000 a very modern, shred friendly feel.

I personally love the EC1000, with its stunning good looks, and tones that just don’t stop, it’s no wonder that the EC series is one of ESP’s most popular models. For its ability to play almost any style of music and still look good doing it, the EC1000 gets a solid 9 out of 10, as while it is amazingly handsome, its flamed maple top might keep it from fitting in with some of the heavier genres of music, who tend to shy away from guitars that aren’t flat black shred machines.

The ESP LTD MH327 in See Thru Red

The ESP LTD MH327 in See Thru Red

Last up is the MH327, which has some rather unique qualities to this list of guitars, first off because it is the only one in this list which has a Floyd Rose tremolo, but more importantly, because this guitar has 27 frets. That means you can climb all the way up to a high G on the high E string without ever having to bend up to a note, when will you ever need this ability? I don’t know, but I want to find out. This guitar features the familiar Mahogany body with a flamed maple top that all of the other guitars, and it also features Seymour Duncan pickups like EC1000, however these pickups do differ from those on the EC1000, in that they are Custom 5 in the bridge and a Hot Rail in the neck.

The guitar sounded fantastic when plugged in too, with bright spanky mids, and a big full bottome end. I quickly found this guitar also had one final trick up its metaphorical sleeves in that, it also features a coil tap. This means that this guitar has more features than a swiss army knife, a floating double locking tremolo, a 27 fret neck, and the ability to sound like a big bold humbucker equipped guitar, or a bright, chimey single coil equipped guitar. The clean tones on the humbucker setting were full and fat, with enough body to be useful in any situation, and in single coil mode, it had a very convincing strat style tone.

Dirtying up the tone a bit, this guitar yielded some amazing shred worthy tones, with quick attack, and big powerful sustain. Playing within the key of G the extra frets proved worthy by allowing me to glide all the way up to that 27th fret without having to bend my way into that high G. The 27 frets however proved more useful when I dropped the tuning a full step and realized that I hadn’t lost any of the standard range of a 24 fret guitar in the process, and thanks to its Fender style 25.5’ scale length, I could drop my tuning without the strings feeling loose, or uncomfortable. In this dropped tuning, the MH327 loosed powerful metal tones left and right, and its Floyd Rose let me dive bomb and scream to my hearts contents.

The MH327 is one amazing machine, with more frets than almost any production guitar on the market today, and the fact that it comes stock with Seymour Duncan pickups which can be coil split, as well as a Floyd Rose, means this really is the swiss army knife of guitars. For its astonishing versatility and bold powerful tones, the MH327 snags a well deserved 10 out of 10.

so as you can tell, ESP produces some amazing guitars, all with their own particular style, voice and purpose. With the razor sharp looks of the VIPER, the vintage styling of the EC1000 or the futuristic design of the MH327, its clear that with so many styles, there is bound to be one that fits your specific need, and fits your personal budget, and their all available right now at Worldmusicsupply.com!

World Music Supply | DBZ Guitars

Hey everybody, it’s Brian here with World Music Supply, and I’m here to talk to you about some of the cool new stuff that we’re getting here at WMS. Today, I want to talk a little more about DBZ Guitars. As I’ve mentioned before, DBZ is the brain child of Dean B. Zelinsky, who parted ways with Dean Guitars in mid 2008. In order to give Mr. Zelinsky “personal control over design, direction and quality” he started DBZ guitars shortly after his parting ways with his former company. Since then he has been crafting a lot of sleek, beautiful guitars, a few of which I’m going to discuss in today’s blog.

The DBZ Bolero

The DBZ Bolero

First up is the Bolero, a tasteful new take on the classic LP single cut design. This guitar is just different enough to feel interesting and just familiar enough as to not be off putting, it features the iconic mahogany body with a maple top, and a comfortable soft V neck profile on its mahogany neck. It features the DBZB/DBZ5 that I reviewed so favorably on the barchettas a few posts back, and they don’t disappoint here either. They have the right mix of bright and dark from the bridge pickup to the neck pickup so you never run out of useful tones in this guitar, and with the inclusion of a coil split, you also have some decent strat and tele esc tones hidden away in this guitar too. With its more iconic wood combination, of a maple and mahogany body, and a mahogany neck, this guitar tends to sound a little warmer than the Barchetta LT, and a little rounder the fire breathing monsters in the bare bones line. Overall this is a nice choice for the guitarist who wants to have an LP style guitar, but doesn’t want to look like everyone else, with so many powerful tones, and such handsome looks, I give the Bolero a 10 out of 10 easy.

The DBZ Imperial in Cherry Sunburst

The DBZ Imperial in Cherry Sunburst

Next up on the chopping block is the Imperial line, a guitar that I am outright amazed by. It’s a relatively standard looking jazz guitar shape, like a semi hollow body, but without the hollow part, what amazes me is that the Imperial has such a thin body, and when I say thin I mean 5/8 of an inch at the edge thick, that is THIN. 

The DBZ Imperial

The DBZ Imperial

The body curves out a bit more in the middle, but by and large, this guitar is so thin, when you wear an Imperial, it almost doesn’t feel like it’s there, which is an interesting, and comfortable feeling. This guitar sounds a lot snappier than the Bolero thanks to this thinner body, it’s somewhere between a jazz box, and a telecaster, as it has a little bit more of a twangy edge when played clean and a little more presence in the mix when played distorted, but it also has that warm round bottom end that is reminiscent of big body jazz guitars. With the inclusion of the coil splitter this guitar can do basically anything, from twangy country licks, big bodied rock rhythms, and if you drop the tuning a little, it can even grind out some serious metal. The neck is the same as the Bolero, that soft V that fits your hand like a glove, making playing very long sessions so much more comfortable. For its plethora of awesome tones, and its unique razor thin body, the Imperial easily snags a 10 out of 10.

The DBZ Cavallo

The DBZ Cavallo

Then we have the Cavallo, which is a classic V style guitar, with the slight exception of having a heavily sculpted maple top. This carving seemed strange at first, but once you start playing it, you realize that it is thinned only around the controls, and where your arm would naturally either swing when playing standing up, or where your arm would rest when sitting down. The Cavallo is oddly comfortable, and the sounds are just as pleasing. The Cavallo has the same pickup combo as the rest of the guitars thus far in the review. Its tones are a little bit bolder than the Imperial, but not as defined as the Bolero, playing it through a little tube amp, the Cavallo gave me everything from bone dry clean tones, dirty AC/DC style drive, all the way to big hair metal style grind. All in all I like the Cavallo, and as far as V’s go, this one is easily in my top 3. I give the Cavallo a 9 out of 10, only because those carves in the top might be a little off putting to people who like a more traditional V.

The Floyd Rose Equipped DBZ Cavallo

The Floyd Rose Equipped DBZ Cavallo

However, stepping a little more away from the traditional V mold we do have a variant of the Cavallo which sports a locking floyd rose, a welcome change of pace. Now I was able to do light fluttery warbles in the clean setting, Van Halen style dive bombs when I had the amp dimed, and when I used some real distortion I got everything from Dimebag style squeals to Joe Satriani style screaming harmonics. Adding the agility that a floyd affords you to an already amazingly versatile guitar takes it from a 9 out of 10 to a solid 10 out of 10, who would have thought such a little change would bring out so much more potential in this guitar

The DBZ Venom

The DBZ Venom

Lastly in the line up is something way out of the traditional, but what we all honestly expected from DBZ guitars, a solid down to earth metal guitar. The Venom is a V style guitar that more closely resembles a battle axe than it does the 1950s era styling of its cousins. Along with the much more metal stylings, it comes in gun metal grey, and silver, both of which help to accentuate the battle axe feeling of this instrument. Unlike all the other guitars in this review, this guitar is equipped with different pickups, that’s right folks, the Venom is armed with a pair of USA made EMG 81/85s that just scream when you play this thing. Its clean tone is a tad darker than the rest of the DBZs as a result, but this isn’t a bad thing as these guitars probably wont spend much time in a clean, low gain setting. With a distorted tone, these guitars come alive, with full bodied tones that have more than enough output for any situation, and more than enough bark and bite to fulfill any hard rock or metal guitarists wildest dreams. With its Floyd rose trem, and its wickedly hot EMG pickups, this guitar deserves more than the 10 out of 10 I can award it. Lets just say this, if you are hunting for the cream of the crop of metal guitars, the Venom might just be it.

So there you have it folks, some amazingly versatile, and amazingly powerful new guitars from DBZ, all of them with a unique voice, and their own amazingly unique styling,  so how about you go on over to World Music Supply today and order your own DBZ today, and quit looking and sounding like everyone else out there, start being unique with a new DBZ!

World Music Supply | DBZ Barchetta

Hey guys, its Brian here with World Music Supply, and today, I want to talk a little about DBZ Guitars. DBZ is the brain child of Dean B. Zelinsky, who parted ways with Dean Guitars in mid 2008. In order to give Mr. Zelinsky “personal control over design, direction and quality” he started DBZ guitars shortly after parting ways with his former company.

DBZ Barchetta LT Premier Series in Red

DBZ Barchetta LT Premier Series in Red

We here at World Music Supply currently carry the DBZ Barchetta, a guitar with all the sonic fire power and visual flash a modern shredder could ask for. We carry the LT Premier series in both the string through hardtail, and the Floyd Rose Pro equipped versions. This series of guitars all feature a heavily carved top, the signature Dean Zelinsky neck profile that is neither too fat, or too skinny, and a set of great sounding DBZ humbucking pickups. We also carry the Absinthe which is a Barchetta style guitar with a special Absinthe graphic, Grover tuners, a Floyd Rose Special, an ebonized rosewood fretboard and special diamond inlays. Lastly we also carry the Bare Bones Series of DBZ guitars, which are Barchetta style guitars, which all feature sleek graphic finishes, a Floyd Rose Special Tremolo, Grover tuners, and a set neck with an ebonized rosewood fretboard with upgraded bare bones inlays.

DBZ Bare Bones Series Devil Graphics

DBZ Bare Bones Series Devil Graphics

Ive gotten the opportunity to test drive a few of these guitars, and was thoroughly impressed by them in every way. The body style looks far more impressive in person, and pictures just don’t do this guitar justice. It hung comfortably on a strap, and the body bevels made it just as comfortable to play. The tone of these guitars is thick, with no range of the guitar over powering another, and the Floyd Rose worked wonderfully, coming safely back to pitch no matter how far I pushed or pulled it. The ability to coil tap the pickups was a fun feature, and provided me a bit of spanky, single coil tone, which is a nice addition to an already nice guitar.

These were designed by DBZ to be metal and hard rock guitars, and while I understand they were designed to be the guitar equivalent of fire breathing monsters. With the gain turned down I was able to wrangle some rather respectable classic rock tones, and with a clean tone, and the coils split, these guitars even do a fairly impressive impersonation of a strat, so even though they’re marketed as metal guitars, these are very versatile instruments.

DBZ Barchetta FR LT Premier Series in Black

DBZ Barchetta FR LT Premier Series in Black

Because of this amazing versatility, in my book the Barchetta series a pure 10 out of 10, as they are stunning guitars at a jaw dropping price, with features and quality rarely found in a guitar in this price range. So why don’t you do yourself a favor, and head on over to Worldmusicsupply.com and snag yourself one of these fantastic guitars before they’re all gone.