World Music Supply | Smash Pedals

Hey guys, its Brian here with World Music Supply, and today I’m here to talk to you about some of the Smash pedals we carry here at World Music Supply. We went to great lengths and bought out all of Smash pedals entire inventory and now have them all at well below wholesale prices. So don’t let the low price fool you, these pedals can go head to head with pedals costing four or five times as much. We currently offer the Pedal to the Metal distortion, the Sixth Gear Overdrive, the Full Moon Phaser and the WW-100 Wah.

Pedal to the Metal Distortion

Pedal to the Metal Distortion

first up to bat is the Pedal to the Metal Distortion, if you want a full on gain drenched monster, this pedal has it and at a great price. The pedal is plastic, but it isn’t soft or easily damaged, and I was able to stomp on it again and again without compromising its structural integrity. It has about as much gain on tap as a Boss metal zone, its tone shaping controls are different in that it features just a level, a filter control, and a gain knob, so while it might have the same gain as a Metal Zone, it is voice differently. The Filter control took some getting used to as it works sort of like the tone knob on a tube screamer, but with a larger range from bass to treble, meaning it can get sort of touchy, and it takes a steady hand to really dial in your desired tone, but when you do its worth it. Overall I was pleased with the pedal, it gave out some very saturated tones without ever getting fizzy or tinny, I give the Pedal to the Metal a 9 out of 10, simply because I know some people just don’t trust plastic pedals.

Next up is the Sixth Gear Overdrive.This is the classic pedal overdriver sound in a cheap and

Sixth Gear Overdrive

Sixth Gear Overdrive

surprisingly impressive little box. Sounding like a cross between a Digitech Bad Monkey and the classic yellow Boss Overdrive, this pedal honestly did more then I thought it would. Featuring just three controls, level, tone and gain, this pedal may be simplistic, but it certainly does its job. Gain wise, this pedal is nice and balanced, not too much, not too little, just smooth lightly compressed overdrive with just enough sonic teeth to get your leads through even the most cluttered mix. When I used the overdrive in conjunction with a clean-ish tube amp, it gave me the classic sound of a tube amp on the edge, with the added warmth of the tube amp, the pedal sounded just perfect. The Sixth Gear does its job, and does it well, and if you’re looking for an inexpensive new addition to your pedal board I highly recommend the Sixth Gear. I personally give it a 10, its just too good of a deal not to love this pedal, even if it is made of plastic.

Full Moon Phaser

Full Moon Phaser

Now its time for the Full Moon Phaser, which I found to be an unexpectedly amazing pedal. It wasn’t too over the top sonically, and did everything a phaser should do, from quick Leslie style swirls; to slow Van Halen approved sweeps, to crazy sci-fi movie ray gun sounds. It features three knobs, Rate Resonance and Depth which means it has two more knobs then I am used to having on a phaser, so this pedal is certainly versatile. I typically don’t use phasers for much, but with this little guy on my board I didn’t turn it off, I just moved around the controls, with three knobs there is a setting for every situation, from the dirtiest distortion tones, to the cleanest cleans, this pedal added just the right amount of movement to my playing to keep it sounding fresh and interesting. While I know most people are happy having a phaser with only one knob, the versatility afforded by having three was certainly something I could get used to. The Full Moon Phaser easily gets a 9 out of 10, because its definitely a lot more then most people need, but like they always say, its better to have too much, then to have too little.

WW-100 Wah

WW-100 Wah

Last on the list is the WW-100 Wah, a personal favorite of mine, why you ask? Simple, because every guitarist has a wah on their board, and every guitarist is always looking for a way to sound just a little bit different then the next, what better way to do this, then just switching out the wah. I found the WW-100 to sound a lot quack-ier then your average Dunlop but not as much as your average Vox, meaning if you want to sound a little different this might just be the wah for you. The throw felt comfortable, not stiff, but not loose, and even though its made of plastic I never once found it to feel fragile or easily damaged, it always felt sturdy and stoic, just like a wah should. It held a lot of classic funky sounds, with the wah never sounding too dark or too bright, and even though it’s the most expensive smash pedal we carry, at such a low price its still one of the cheapest, if not the cheapest wahs we carry at World Music Supply.

Over all I know a lot of people will have their doubts about buying a bunch of plastic pedals, but these are great sounding pedals, plastic aside, and at the end of the day, you buy pedals to make you sound better, and it doesn’t matter to the listener if the gear you’re playing through cost you 100 dollars, or 100,000 dollars, as long as you sound good. So why don’t you give these pedals a chance, and snatch up one of these gems up while we still have them at these great prices, just head on over to, and pick up one of these awesome pedals today!


World Music Supply | Digitech iPB-10

World Music Supply iPB-10 pedal board open

Digitech iPB-10

Digitech iPB-10


Digitech’s new iPb-10 may be the company’s masterstroke of creativity. The concept is to take the whole preset culture of the signal processor world and apply it to a pedal board. And the thing really works.

Here’s the deal. Buy the iPb-10 and use it in conjunction with your iPad to easily and effectively arrange as many as 10 different pedals per board with a nearly infinite number of combos to choose from. You can save 100 of your favorite pedal boards and recall them at any time with the stomp of a footswitch. There are 54 amp and 26 cabinet models that you can use as well. And it’s all drag and drop via the iPad touch screen. By the way, the iPB-10 is compatible with both the iPad and iPad2. How’s that for slick?

Now, here’s how it works. The first step is to acquire Digitech’s iPad app called, appropriately enough, iPad Nexus. The app is free to download from the Apple iTunes App Store. Once you’ve nabbed the app, you can then physically dock your iPad with the iPB-10 and begin using all of the units’ killer functionality. We’re not going to cover every last switch, knob and feature here today. Instead we’ll take kind of a high level view and briefly discuss the main features and some of the sounds within the unit.

Digitech iPB-10

iPB-10 with Apple iPod Docked

First of all, as a docking station for the iPad, the iPB-10 is very sturdy and secure. You won’t feel like your expensive iPad is in a precarious position. Once docked and with the Nexus app running you can now arrange up to 10 different pedals in any order you like. With 87 pedals, 54 amps and 26 different cabinet models to choose from you will never run out of options.

Using the iPads’ touch screen, guitarists can rearrange the signal chain, turn individual pedals on and off or simply adjust settings. As for saving your favorite configs, it’s done with the touch of a button. Recalling a favorite pedal board requires no more than stomping a footswitch.

As for the iPB-10’s sounds, there are many cool tones that can be dialed in. We all have our favorites and odds are that the majority of your favorite pedals are included in the Nexus app (pretty much all of mine are). While I can’t say that I am in love with every single model included here, I can say that to my ear the sounds are quite accurate, as true to the originals as a digital model can be.

For instance, when comparing my original Vox Wah to the included model I cannot distinguish any appreciable difference between the two. The Boss DS-1 Distortion model sounds completely true to my original Boss pedal. The Tube Screamer model sounds exactly like my TS-808. While I don’t own every pedal modeled here, for comparison purposes I’ll have to say that of the sounds I can make direct comparisons to, the models are all quite good, though no modeler gets every sound perfect.

Digitech iPB-10 Nexus App Screenshot

Nexus App for Apple's iPod

Using the clean channel on my Marshall DSL100 and the iPB-10 for my basic sound, I can nail my favorite rock rhythm tone using the units’ Boss DS-1, Lexicon Ambience verb and Boss DM-2 analog delay. The sound is every bit as cool as using the original pedals. And the greatest thing about it is that I can assign that sound to a switch and call it back up at will. I mentioned it earlier but it bears repeating. You can save up to 100 pedal board configurations. Surely, enough for any playing situation.

There are many other examples of great tones inside this slick setup but it’s not really necessary to go through them all here. I’d have to write enough to fill an encyclopedia to accomplish it and none of us have time for that.

Suffice to say that with just a little bit of experimentation any player can be up and running with the iPB-10 in no time at all. And, Digitech promises many updates and upgrades down the line that will no doubt make the Nexus app even more comprehensive.

I’ll close out by saying that I give the iPB-10 high marks across the board.

See below for my personal ratings…



Build Quality…………………….*****

Ease of Use……………………..*****

Sound Quality………………….*****

Cost………………………………. ****